randian | 燃点

Gong Xu was born in 1986 in Shanghai. He graduated from the oil painting department of the China National Academy of Art in Hangzhou in 2010. He lives and works Shanghai. >> Read more

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> Read more

Chambers Fine Art is pleased to announce the opening on January 24, 2018 of Cao Yi, Li Qing, Yi Xin Tong, and Zhao Zhao: Adrift. >> Read more

Chambers Fine Art is pleased to announce the opening on January 24, 2018 of Adrift: Cao Yi, Li Qing, Yi Xin Tong, and Zhao Zhao. The exhibition examines the current urban landscape of China with megacities unimaginable in scale just a few decades ago, through the work of four young artists intimately familiar with this period of rapid change. >> Read more

Combining acumen, chutzpah and luck, Jens Faurschou became Denmark’s foremost gallerist and art dealer. It is a story, that along the way, has involved Picasso, Miro, Munch, Robert Rauschenberg - and Swedish banks. >> Read more

Blain|Southern is delighted to present Sean Scully’s first exhibition with the gallery, Uninsideout. >> Read more

Blain|Southern is delighted to present Sean Scully’s first exhibition with the gallery, Uninsideout. Featuring large-scale, multi-panel paintings, as well as works on paper, sculpture and a group of his celebrated Landline paintings, the exhibition will offer an overview of the artist’s multi-faceted oeuvre. >> Read more

From his 2016 solo show “Making Good Things Go Better” at Telescope Space to “Fantastic Grounds” in 2017, Jiu Jiu has been concerned with looking at counteracting forces produced by the formation of images. But the computer interface still remains in the “othered” position of being objectified, whether it is in the artist’s artistic process or the audience’s viewing experience. >> Read more

The exhibition starts with "Firing". This first part, consisting of 162 pieces of target paper, as if cobblestones along the river of war, forms a path leading to every corners of the whole show. >> Read more

As Groys notes in the opening passage of his essay, “On the New”, “We experience art history first of all as represented in our museums.” One might add, to be glib with Marx—and why not? —, secondly as farce. >> Read more