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2016.08.02 Tue, by

“Art intervention and social practice” forum series 2#

(中文) 集体策划团队Bloom绽在此次“在地-运动”项目中(正式发起于2013年)将提出“根—径—络”的框架,以此回应都市状况中的“在地性”(根)、“进入与走出在地工作的方法和路径”(径),以及“如何促成社会行动的地点位移以形成运动网络”(络),三个层次的议题。 >> Read more
2019.11.30 Sat, by

Zheng Bo at NYU Shanghai: Eco-Socialist Garden

In 2019, Zheng Bo once again introduced the "workshop" into his exhibition Goldenrod held at the Institute of Contemporary Arts at New York University in Shanghai. “Eco-Socialist Garden” is a project that includes workshops, architectural models, and printed material. Zheng Bo invited a group of volunteers from different professional fields and divided them into two groups. >> Read more
2018.11.27 Tue, by

Social Geography:
Ten Journeys with a Camera
Shanghai Center Of Photography

(中文) 上海摄影艺术中心(SCoP)荣幸地宣布最新展览《摄寻千里:十见天地》将于2018年12月8日开幕。《摄寻千里:十见天地》聚焦新生代摄影师的新视角,遴选了十位杰出摄影师的二百余件作品,包括:陈荣辉、甘莹莹、黎朗、骆丹、木格、史阳琨、汪滢滢、张克纯、张晓,以及庄辉。 他们的作品中透露着对历史和社会的关注,以及个人、团体和社会的自我意识。通过这些特质,他们审视着当下,唤起了过去也指示着未来。 >> Read more
思考, 2018.06.29 Fri, by

Is Sound Critical?—”Grounds for Sound” Research and Practice

Over the past few years my research has focused on the development of sound art and experimental music practices in China since the early '90s. My approach to these practices has been strongly influenced by the idea that sound can be critical. >> Read more
思考, 2018.03.20 Tue, by

Migratory Practice

Writing from Paris in 1991 under the pseudonym “No Beard Fei,” Fei Dawei penned a letter to fellow art critic and curator “Scraggly Beard Grandpa,” the pen name of Li Xianting in Beijing. Fei’s letter was a response to Li’s concern that “if art leaves its cultural motherland, it necessarily withers.” >> Read more
思考, 2018.01.23 Tue, by

LI FAN
By nature, be alike. By practice, be wide apart
ARARIO, Shanghai

My journey of creation is rather long. For all the time, I have kept following my heart. My works parallel with the social environment but are not tightly related with the artistic environment. >> Read more
思考, 2017.01.13 Fri, by

Salon, Salon: Fine Art Practices from 1972 to 1982 in Profile—A Beijing Perspective at Inside-Out Art Museum

Salon, Salon: Fine Art Practices from 1972 to 1982 in Profile—A Beijing Perspective is the third exhibition of From the Issue of Art to the Issue of Position: >> Read more
思考, 2016.03.23 Wed, by

Politics of Display: Curating and its Public – Curators in China Speak About Their Practice

One-day conference organized in cooperation between I: project space (Antonie Angerer and Anna-Viktoria Eschbach), Yellow Mountain Foundation and CAFA - Central Academy of Fine Arts >> Read more
思考, 2016.01.22 Fri, by

Recovering the Social Imaginary—Art, Archives and the Knowledge Commons

Speaker: Marysia Lewandowska (Artist-in-Residence at AAA and Professor at CUHK) >> Read more
思考, 2015.01.16 Fri, by

SEA (SOCIAL ENGAGEMENT ARTIST / SOUTHEAST ASIA)

Tomio Koyama Gallery Singapore is pleased to present a group exhibition featuring Southeast Asian artists Khvay Samnang (Cambodia), Mohamad ‘Ucup’ Yusuf (Indonesia), Arin Rungjang (Thailand), and Shooshie Sulaiman (Malaysia). The exhibition will feature digital C-prints by Khvay Samnang, woodblock prints and paintings by Mohamad ‘Ucup’ Yusuf, mix-media paintings by Shooshie Sulaiman and a drawing and […] >> Read more

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