The King and I is a journey across space and time. It is about a far away Palace and its imaginary stories, transposed like a labirynth or a dream to Shanghai. >> Read more
M+, Hong Kong’s new museum for visual culture, unveils a new ongoing series that showcases a diverse range of moving image works in the context of a single cinema screen. >> Read more
[Press Release] HCCA has the pleasure to invite you to the opening of Hao Liang’s Solo Exhibition: Secluded and Infinite Places at 4:00PM on Mar.22 2014. >> Read more
Amelia Johnson Contemporary is pleased to present Detached Oeuvre, an exhibition of paintings by two emerging Hong Kong artists Michelle Lee Ho Wing and Chris Huen Sin Kan. >> Read more
In the 1950s, a comedy series called “The House of 72 Tenants” took the world of television by storm. It depicted the lives of the working class in Shanghai prior to Liberation in 1949; it became emblematic of life in Shanghai with one single line: “Rooms as small as pigeon cages, with lodgers all crammed inside"... >> Read more
Shi Zhiying, a painter known for her stark black-and-white paintings of rather uniform vistas — the wide, open sea, Zen sand gardens, blades of grass that occupy the viewer's horizons — talks to randian about her artistic process. >> Read more