randian | 燃点

Brancusi & Duchamp: The Art of Dialogue, curated by art historian Paul B. Franklin, explores the aesthetic dialogue between Constantin Brancusi (1876–1957) and Marcel Duchamp (1887–1968), two of the most inimitable and innovative artists of the twentieth century. >> Read more

May 28, 2017, “High Tension: 8 Winners of the Marcel Duchamp Prize”, will open at Red Brick Art Museum. A key event in this years Festival Croisements, organized by the French Embassy in China. The exhibition is curated by Alfred Pacquement, former director of the Musée national d’art moderne, Centre Pompidou, and assisted by Daphné […] >> Read more

Cai Dongdong’s exhibition “Fountain”, displayed on temporary zigzag walls at Klein Sun Gallery, adroitly illustrates the relationship between representation and meaning while remaining snugly contained within its theoretical vision. >> Read more

“Influence” is an ambiguous and flexible term, often invoked but seldom questioned. Here, Iona Whittaker examines the recent exhibition of works by Marcel Duchamp and selected Chinese artists at UCCA, and wonders what Duchamp might have thought. >> Read more

Yesterday's openings at UCCA: Duchamp, MAP Office and Multitude Art Prize >> Read more

The Ullens Center for Contemporary Art is proud to present DUCHAMP and/or/in CHINA, an exhibition featuring works by Marcel Duchamp and Chinese artists influenced by his work. >> Read more

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more

The HdM gallery is currently hosting an exhibition of French artist Martial Raysses’s works on paper. Born in 1936 in a ceramicist family, Raysse is perhaps one of the most important and well-known artist of the contemporary art French scene. >> Read more

(中文) 大多数情况下，在当今商业化程度甚高的艺术界，一个画家没有找到个人符号并固定下来，有可能是他眼界有限，接触时代的面儿太窄，加之不善归纳、不够博闻强记；还有一种可能恰恰相反：接触的东西太多，入时代之戏太深，而忽略了“艺术家”的职业角色。倪军显然属于后者。 >> Read more

Barthélémy Toguo is a traveller, crossing boundaries of all sorts as his vision evolves. His travels are not just physical – though he has been to many places – but are also concerned with crossing the various borders, barriers and boundaries that human beings construct in their minds. He uses watercolour painting, photography, sculpture, installation, […] >> Read more