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藝術門 登布希山 新加坡 Pearl Lam Galleries(Dempsey Hill)Singapore
2017.03.15 Wed - 2017.05.14 Sun
Opening Exhibition
Opening Hours
何敏齐Chloe Ho / Pearl Lam Galleries gallerysg@pearllamgalleries.com / +65 6570 2284

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Pearl Lam Galleries
[Press Release]

Singapore—Pearl Lam Galleries is pleased to present Materialised Condition, a group exhibition featuring works by Chun Kwang Young (b.1944, South Korea), Leonardo Drew (b.1961, USA), Dale Frank (b.1959, Australia), Jason Martin (b.1970in the Channel Islands; now resides in theUK), Gatot Pujiarto (b.1970, Indonesia), Ezzam Rahman (b. 1981, Singapore), Ren Ri (b.1984, China), Carlos Rolón/Dzine (b.1970, USA), (b.1962, UK).Taking the physical qualities of painting, sculpture,and installation works as a starting point, the exhibition seeks to uncover the sentiments behind the artists’ specific choices of material.

Leonardo Drew solo exhibition - Pearl Lam Galleries Hong Kong

Leonardo Drew, Number 16C, 24 x 51 inches

With material as the focus, the immediate, direct and intimate relationship between object and artist is revealed. Materials such as fabric, thread, mulberry paper, wood, and natural beeswax evoke an appreciation for the tactile and visual. They resonate sensorially with the viewer to bring about an intimacy with the “small”or microscopic, the everyday, and the sphere of personal experiences. In this context, objects or materials have played an intermediary role, rooted in reality and connected to the vision of freedom and imagination. Reflecting upon this, Materialised Conditionbproffers a panoramic view of time that emerges from the “smallness”of materials.bSingaporean artist Ezzam Rahman will be executing a new performance workduring the opening reception. Inspired by thelonging for lost love,I was your amber but now he’s your shade of golddeals with the saudade, or deep love that remains, for an absent lover.

Carlos Rolón_Dzine (b. 1970)

Carlos Rolón, La Plena, 36 x 36 inches

Artists Jason Martin and Dale Frank challenge the conventions of painting with their manipulation of the medium. Using a physically intensive process that engages the whole body, Jason Martin creates luxurious surfaces ofoil and pigment that can almost be described as sculptural. Dragging smooth oil or thick pigments across the surface, the curvatures catch the light, creating depth in our visual perception of the works. Dale Frank explores the possibilities of paint and surfaces in his pieces. Pouring paint stripper and acid onto Perspex, he allows them to create his abstract “landscapes” by pooling, converging, and diverging, by both careful manipulation and by leaving things to chance. The disturbances on the otherwise pristine surfaces can be deciphered as wormholes that lead to alternate dimensions with infinite possibilities, with his imaginative titles suggesting unlikely narratives. C

Leonardo Drew reflects on the universality of existence and the interconnectivity of all beings to one another through his works, illustrating these relationships through the visceral qualities of his chosen materials and the abstract sculptural forms they make up.These cosmological frameworks are meant to mirror the organic reality of existence and reveal the resonance of life and humanity.

Similarly, Chinese artist Ren Ri chooses to work with beeswax, a material found in nature,in order to demonstratethe tensions between man and naturebthrough his relationship with his material. The artist employs bees in the creation of his works, introducing the queen bee and the rest of her hive into transparent polyhedrons and cubes with inner frameworks of wooden dowels. He then rotates the sculpture every seventh day based on the roll of a die, an act that he says references the biblical concept of creation. Ren Ri describes the process as a collaboration with the bees as neither party has full control on the outcome, much like the tension between man and nature.

Inspired by his childhood, Carlos Rolón/Dzinealludes to the ornate aesthetic style favoured by the American middle-class at the time. Walls and furniture were embellished with exotic colours, textures, and patternsin an effort to create a distinct identity. Mirrors were aplenty in his family’s houses, adding a sense of an extended area in tiny spacesshared by many, even lending them an aesthetic of grandeur that referenced upper-class culture. Raised in this environment, Rolón incorporates custom culture, faux luxury,and excessiveness into his work today as an homage to his personal history.

Gatot Pujiarto

Gatot Pujiarto, Topeng Malam (Night Mask), 34 x 59 inches

Indonesian artist Gatot Pujiarto“stitches” his stories together, taking elements from his everyday experiencesand surrounding occurrences. Pujiarto embeds them into hisworks through the perspective, techniques, and language of expression that he normallyuses. As early as 2008, Pujiarto started usingfabric/textiles in his works to tell his stories. The fabrics are patched on, cut, pasted on,braided,or torn. They are used to create forms with stitches, highlight, or act as outlines of forms.

Korean mulberry paper is at the centre of ChunKwang Young’s artistic practice, deeply imbuing his works with a Korean sensibility by lending its potency for metaphorical associations. Delicately translucent, yet strong and durable, mulberry paper was used for a variety of purposes in Korean households, including packaging herbal medicine in triangular bundles. It is no coincidence that the wrapped triangles of Chun’s Aggregationworks are visually similar to their spiritual ancestors,as the artist investigates ideasof healing in his explorationof the socio-cultural issuesparticular to his country and universal conditions of human trauma and suffering.

The exhibition will also feature a sculpture by British-Nigerian artist Yinka Shonibare MBE, clothed in his trademark material—brightly coloured African batik fabric he purchases at Brixton market in London. The fabric was inspired by Indonesian design, mass-produced by the Dutch, and eventually sold to the colonies in West Africa where it became a new sign of African identity and independence in the 1960s. As with Chun Kwang Young’s works, the artists’ chosen materials afford their works an authentically deep connection to the artists’ cultural background.

About Pearl Lam Galleries

Founded by Pearl Lam, Pearl Lam Galleries is a driving force within Asia’s contemporary art scene. With over 20 years of experience exhibiting Asian and Western art and design, it is one of the leading and most established contemporary art galleries to be launched out of China.

Playing a vital role in stimulating international dialogue on Chinese and Asian contemporary art, the Galleries is dedicated to championing artists who re-evaluate and challenge perceptions of cultural practice from the region. The Galleries in Hong Kong, Shanghai, and Singapore collaborate with renowned curators, each presenting distinct programming from major solo exhibitions, special projects, and installations to conceptually rigorous group shows. Based on the philosophy of Chinese Literati where art forms have no hierarchy, Pearl Lam Galleries is dedicated to breaking down boundaries between different disciplines, with a unique gallery model committed to encouraging cross-cultural exchange.

The four branches of Pearl Lam Galleries in Hong Kong, Shanghai and Singapore represent an increasingly influential roster of contemporary artists. Chinese artists Zhu Jinshi and Su Xiaobai, who synthesise Chinese sensibilities with an international visuallanguage, are presented internationally with work now included in major private and public collections worldwide. The Galleries has also introduced leading international artists, such as Jenny Holzer, Leonardo Drew, Carlos Rolón/Dzine and Yinka Shonibare MBE, to markets in the region, providing opportunities for new audiences in Asia to encounter their work. Pearl Lam Galleries encourages international artists to create new work which engages specifically with the region, collaborating to produce thought-provoking, culturally relevant work.