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Venue
ARNDT Fine Art
Date
2015.09.13 Sun - 2015.10.25 Sun
Opening Exhibition
09/12/2015 17:00
Address
Gillman Barracks 9 Lock Road #03-21 Singapore 108937
Telephone
+65 67340775
Opening Hours
Wednesday to Sunday: 11 a.m. to 7 p.m.
Director
Matthias Arndt
Email
info@arndtfineart.com

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RODEL TAPAYA Diamond in the Distance
[Press Release]

ARNDT Singapore
September 13 – October 25, 2015

Opening | Saturday | September 12, 2015, from 4 – 7 pm

ARNDT is pleased to present its first solo exhibition in Singapore by artist Rodel Tapaya.

Diamond in the Distance chronicles Rodel Tapaya’s recent explorations in the metaphorical search for “treasure” and all things tangible or intangible that people put value to. The solo exhibition features a selection of new acrylic works on canvas and paper.

Drawing inspiration from a story by American minister Russell Conwell called ‘Acres of Diamonds’, Tapaya looks into the plight of Overseas Filipino Workers in his large-scale painting ‘Finding Diamonds’ and ‘Slave Broker’. With these, the artist suggests that one might look for opportunities elsewhere while consequently leaving the people that are valuable behind.

Tapaya believes that the true gem can be found in relationships. This is illustrated in the exhibited work ‘The Helpful Crocodile’ which is based on a folktale from the Iloco region in the northern part of the Philippines. The work depicts the relationship between human and animal – where a crocodile that the woman protagonist helped, in return helped the woman, and even sacrificed himself during a time of crisis.

Also part of this exhibition are a series of works on paper presenting the various desires of human beings, portraying human interactions and our relationships with others.

The small paintings on canvas in the exhibition, a break from Tapaya’s normal practice of large format works, are intimate paintings about deities inspired by various Philippine myths and legends. As the subject matter tackles mystical notions of gods and goddesses, Tapaya deliberately made these paintings small in contrast, to seemingly bridge the distance between mortality (the viewer) and the divine.