“Weight of History”, the Collectors’ Show opening at Singapore Art Museum
Collectors, gallerists, artists and mortals alike gathered to feel the "Weight of History" (aka the Collectors' Show) at Singapore Art Museum last night. >> Read more
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Chen Shaoxiong: Air-Dry History
Chen Shaoxiong: Air – Dry History Solo Exhibit at Pekin Fine Arts (Hong Kong) Exhibition Dates: 15 Dec, 2012 – 31 March, 2013 Opening Reception: 15 Dec , 2012, 2 – 6 pm Venue: Pekin Fine Arts: Union Industrial Building,48 Wong Chuk Hang Road, Aberdeen, Hong Kong Artists’ Statement: At a time when we […] >> Read more
Wind H Art Center Opened A New Exhibition “To Be the Better One —The Method-ology of the New Generation” Presenting A Diverse Dialogue With The New Generation
From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more
(中文) 算法治理与象征性抵抗
他可能想不到自己对拟象取代现实的担忧，在若干年后被新一代的艺术家们反转，化为对社会现实“弱姿态”的象征性抵抗。 >> Read more
“The Tides of the Century” at the Ocean Flower Island Museum
More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more
Article: ‘Xu Zhen: Eternity Vs. Evolution’ at the National Gallery of Australia, Canberra.
Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more
Miriam Cahn and Claudia Martínez Garay
TEN THOUSAND THINGS
Sifang Art Museum, Nanjing
一楼展示的米利亚姆·卡恩 (Miriam Cahn) 作品犹如神典的开篇，创作者在雾中迷失、低吟高唱，在她以感官展开的画卷里，山体长着血脉，表现在痛苦中挣扎的情感；房屋是毕露的线条，释放出包裹或缠绕的明亮；动物们目光空洞、身体脆弱，多半没有耳朵。同样，她以缤纷的色块和线条声张她简明而灿烂的直觉领域，然而她情感的世界却深沉而阴郁，与身体的感官联系深刻，不能轻易的揣度。 >> Read more
Garden of Six Senses Para-Site Hong Kong
(中文) 展览“一园六季”从“六季花园”这个真实存在于加德满都的园林出发，围绕着“景观”“土地”“身体”及“治疗”等多条线索，整理出了一份联结着地方历史与当下现实的档案。 >> Read more
Werner Büttner and the Invention of BAD Painting
Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more
Double Moon
Going for a walk with Yuan Yuan and Wang Zhibo
in Berlin and Hangzhou
It has been just over a year since we moved to Berlin. Yuan Yuan has finally made his first solo show (Edouard Malingue Gallery in Hong Kong) after moving his studio here, and I have been busy preparing our dual exhibition project, which was intended for this year’s Frieze London, now delayed of course. >> Read more
