randian | 燃点

HDM Gallery is pleased to present “Jade Branch”, He An’s first solo exhibition in Hangzhou, introducing 11 works, including “He Taoyuan”, “Wind Light as a Thief”, “Miho Yoshioka” and “Jade Branch”, a completely new work. >> Read more

Manila’s contemporary art scene is often described as “dynamic,” but one wonders at the implications of the word’s overuse—and whether, in this case, if it can be fairly applied to all levels of art practice in the Philippine capital... >> Read more

An overview of artist residencies in China. >> Read more

When I started drawing ordinary objects, I thought they were pretty stable in the world. I assumed that they would not change over time. Things should look like what they do and one should be able to understand the function of an object by its appearance... >> Read more

Among the hubbub, a number of shows stood out— in particular, solos by Justin Mortimer and Wong Lip Chin at Future Perfect and Galerie Michael Janssen respectively... 
 
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Fou is an apartment gallery and creative lab based in New York. Fou is dedicated to promote creative talents and projects of our time. As suggested by its name, Fou is a denial of the mainstream commercial gallery model and an active contributor to a new organic art community. With the belief that enjoying art […] >> Read more

The subversive gesture of removing or blockading institutional walls and points of entry opens up the vista for the work of art to be imagined in the expanded field of the viewer’s experience... >> Read more

A review of Zhang Xinjun's solo outing at Telescope, an artist living in Beijing with a scant exhibition record but an enviable reputation among a certain set of artists working in a cool, conceptual mode that embraces interplay amongst genres... >> Read more

The passing twelve months have seen the greater Chinese scene piqued by scandal, pressure and anti-climax and sprinkled only lightly, it seemed, with really effective art. 2013 felt like a tense and ambivalent year. >> Read more

Yavuz Fine Art breaks the boundaries of convention and zeroes in on issues pertinent to the region. In the opening week of the Singapore Biennale, Iona Whittaker met Can Yavuz at the gallery, close to the Singapore Art Museum. >> Read more