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2022.03.14 Mon, by

Project Negotiation: A Discussion on “Post-Art”

(中文) “后疫情”正在变成陈词滥调,新常态才是人们不知不觉中沉浸的现实,而当时过境迁之后,这些项目及个中“碎片”所蕴含的密码也就容易提取了。到那个时候,到底“艺术项目”是不是艺术的问题就不重要了。 >> Read more
Think, 2021.05.11 Tue, by

A PhiloPhotoPoetics of Emptiness, Its “Shadow-Tracing” (摄影): A Roundtable Conversation with Gabriela Morawetz & Kyoo Lee

Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more
Think, 2020.12.16 Wed, by

Article: ‘Xu Zhen: Eternity Vs. Evolution’ at the National Gallery of Australia, Canberra.

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more
Think, 2020.11.28 Sat, by

Miriam Cahn and Claudia Martínez Garay
TEN THOUSAND THINGS
Sifang Art Museum, Nanjing

一楼展示的米利亚姆·卡恩 (Miriam Cahn) 作品犹如神典的开篇,创作者在雾中迷失、低吟高唱,在她以感官展开的画卷里,山体长着血脉,表现在痛苦中挣扎的情感;房屋是毕露的线条,释放出包裹或缠绕的明亮;动物们目光空洞、身体脆弱,多半没有耳朵。同样,她以缤纷的色块和线条声张她简明而灿烂的直觉领域,然而她情感的世界却深沉而阴郁,与身体的感官联系深刻,不能轻易的揣度。 >> Read more
Think, 2020.11.14 Sat, by

British-Chinese artist Gordon Cheung left out of pocket by Shanghai gallery – The Art Newspaper

(中文) 上海其他画廊十年拖欠艺术家近 44,000 英镑及作品 16 件 >> Read more
Think, 2020.11.09 Mon, by

Garden of Six Senses Para-Site Hong Kong

(中文) 展览“一园六季”从“六季花园”这个真实存在于加德满都的园林出发,围绕着“景观”“土地”“身体”及“治疗”等多条线索,整理出了一份联结着地方历史与当下现实的档案。 >> Read more
Interviews, 2020.11.03 Tue, by

Werner Büttner and the Invention of BAD Painting

Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more
Artist profiles, 2020.10.11 Sun, by

“Right: to Write ________”:
Toward a Democalligraphic U-topia

So I am walking in, wandering through this dimly lit, shack-like choral site, a sort of khôrā (χώρα), the territory outside the polis also rooted in it as an invisible receptacle, a housing house. >> Read more
Artist profiles, 2020.09.27 Sun, by

Double Moon
Going for a walk with Yuan Yuan and Wang Zhibo
in Berlin and Hangzhou

It has been just over a year since we moved to Berlin. Yuan Yuan has finally made his first solo show (Edouard Malingue Gallery in Hong Kong) after moving his studio here, and I have been busy preparing our dual exhibition project, which was intended for this year’s Frieze London, now delayed of course. >> Read more
Interviews, 2020.09.24 Thu, by

Han Feng interview
surface and erasure

In 2019 Han Feng moved with his family from Shanghai to Berlin. After establishing his new studio, he began working on a new series of paintings in which the support – the ‘stretcher’ – comprises an object, usually a household item Han Feng found in a junkshop in the city >> Read more

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