randian | 燃点

Now in its fifth and latest iteration, the exhibition’s premise is simple and deceptively attractive. >> Read more

"15 Rooms"—the fifth edition of the exhibition on live-art curated by Klaus Biesenbach and Hans Ulrich Obrist—will create a unfinished dialogue between traditional and live-art, >> Read more

Sometimes, taking the extreme route is taking a shortcut. At other times, no reason is needed; extreme behavior can be dictated by irrational, emotional influences: utter despair when all hopes are dashed, tears of joy, a dip into extreme grief following a moment of profound happiness... >> Read more

"Itching All Over" perhaps is the most fitting phrase Tang Dixin has found to describe his creative being or state of being (surviving). Itch is either a desire inside one’s body that is eager to be released but probably will never be satisfied, or an individual’s reaction towards circumstances imposed by the external environment... >> Read more

One only has to look up at the Shanghai “Boogie Woogie” that agitates in fits outside and in myriad renewed metropolises throughout China, as much as anywhere else. Cui’s response is not to compete but to measure, not to define but to explicate, to process, to seek a rebirth. >> Read more

Global Exchange and Training Program for Art Elites in China, USA and Europe, the 1st Beijing Forum. Forum Subject: The Value Chain and Trend of Contemporary Chinese Art in the Process of Internalization. >> Read more

As regards China, London was less interested in the Middle Kingdom than in 2013 but the ubiquitous presence of Chinese artists and collectors in London, and galleries and museums attentive to them, indicates a trend that has been growing for the last five years. >> Read more

Randian looks ahead to Art Basel Miami Beach 2014.  
 
 
 
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Brushing off its tarnished image of old world classicism, FIAC seems to be undergoing a phase of rejuvenation... >> Read more

With the quality of the Yuz collection on display no doubt greatly aided by having Wu Hung, the renowned scholar of Chinese art, as a curator, we can say that “Myth/History” was not half bad—pretty good, in fact... >> Read more