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艺术家档案, 2016.01.14 Thu, by

Miao Ying: Freedom through Limits

A profile of net artist Miao Ying >> Read more
艺术家档案, 2015.05.12 Tue, by

A Slacker’s Guide to Venice

Randian's resident Italian takes on the Venice Biennale opening week.
 
 
 
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Interviews, 2015.01.22 Thu, by

The Balance will Change

Randian talked to Lorenzo Rudolf about his SHContemporary days and his observations of the Shanghai art scene. He also discussed the challenges (and potential) of operating in Singapore, and the reasons behind some of the curated exhibitions ArtStage has pushed in the fair. >> Read more
Interviews, 2014.09.15 Mon, by

Lin Ke review

This article is available only in Chinese. >> Read more
Interviews, 2014.06.14 Sat, by

SHI ZHIYING|DUST AS LIGHT-WHITE SPACE BEIJING

[Press Release] Opening: Saturday, June 14, 2014 Date: June 14-July 30, 2014 Dust as Light is the third solo exhibition of Shi Zhiying, showcasing her oil paintings over the past one year. Shi continues to strengthen her trajectory in practice, in a void of the real world dislocating agony and confusion. By applying brush strokes […] >> Read more
Interviews, 2014.06.12 Thu, by

History in the Making II: Sketches for Iconic Paintings

Though the artistic creation of the era cannot help but converge, to a high degree, in terms of style or theme, this did not mean artists had no room for creativity. >> Read more
Interviews, 2014.04.17 Thu, by

Hotel Eclat—An Art Hotel in Beijing

Initially, the hotel's eclectic sense of curation and placement are overwhelming, but nonetheless the effort to make art a crucial part of the design is a welcome one. >> Read more
Interviews, 2013.04.10 Wed, by

WIM DELVOYE

Galerie Perrotin, Hong Kong is proud to organize a solo exhibition by Wim Delvoye displaying his recent artworks, from 3 April to 11 May 2013. >> Read more
Interviews, 2013.04.09 Tue, by

Tang Song: Eulogy – In Memory of Hans van Dijk

This “Eulogy” by Tang Song is a display of great density – both physical and immaterial, of input and effect. Avoiding for a moment the emotive and historical import of these works (the first thing on the wall is a double photograph of Tang Song being pulled away from the National Museum in 1989), their tangible qualities are absorbing. >> Read more
Interviews, 2013.03.20 Wed, by

Li Gang: Lateral Edge

The gap between “method” and “methodology” is a wide one. Whilst the first describes a distinct path through a given problem, the second bleeds through its additional letters into the realm of philosophy, “underlying principles” and uncertain outcomes >> Read more

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