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2017.08.21 Mon, by

DAVID LaCHAPELLE
“SCAPEs”
Pearl Lam Galleries

Shanghai—Pearl Lam Galleries is pleased to present SCAPEs, >> Read more
Interviews, 2017.02.08 Wed, by

Luc Tuymans interview

In an age in which he feels artists have become exceedingly demo­cratic, Luc Tuymans adheres closely to the method he has honed over time—mercifully without, he says, a moment of “painter’s block.” >> Read more
Interviews, 2016.11.01 Tue, by

Raqs Media Collective

Zian Chen interviews the curators of the 11th Shanghai Biennial. >> Read more
Interviews, 2016.07.16 Sat, by

Gravity Tractor | Sam Leach

Sullivan + Strumpf is pleased to present its first solo exhibition in its Gillman Barracks space titled, Gravity Tractor, by renowned Australian artist, Sam Leach. >> Read more
Interviews, 2016.06.02 Thu, by

Press Conference for the 11th Shanghai Biennale

(中文) 本届双年展的主题“何不再问?”既提出了一个问题,又发出了一个号召。在此,答案不是最终结果。本届双年展希望激发一片问题的森林和风暴般强烈的渴望。我们迎接未知,而不是畏惧它。 >> Read more
Interviews, 2015.09.08 Tue, by

Dwelling: YUAN Goang-Ming Solo Exhibition

Hanart TZ Gallery is honoured to present Dwelling, Yuan Goang-Ming’s first major solo exhibition in Hong Kong. >> Read more
Interviews, 2014.09.25 Thu, by

New Museums in China: the LV bags of architecture, or something more?

With over 5000 museums built in the past decade or so, China is experiencing a museum boom of epic proportions. Cynics can point at how, on the one hand, these structures are just empty shells containing a motley crew of poorly presented artifacts... >> Read more
Interviews, 2013.10.29 Tue, by

Extra Time

'Extra Time' opens as the Chronus Art Center's inaugural show in Shanghai on the 23rd of August. The show brings together new and recent work by Raqs Media Collective (New Delhi, India). >> Read more
Art World, 2011.03.11 Fri, by

Zaijian! Guy Ullens says goodbye to UCCA

So Guy Ullens is leaving the UCCA, selling his collection, lamenting failures and withdrawing from China. Does it really matter? Is UCCA such an important institution? Should a foreign-owned museum be attempting to define the debate about contemporary art in China? Or is Ullens just running away from failure? >> Read more

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