randian | 燃点

As the Power Station of Art’s first major exhibition of 2014, Kazuo Shinohara is a comprehensive retrospective of the major works of late Japanese architect and educator Kazuo Shinohara, helping to shed light on his ideas and methods. >> Read more

Pearl Lam Galleries is pleased to present Spiritual as Mountains, a group exhibition which explores contemporary Chinese spiritual and cultural values through artworks inspired by the spirituality of nature and Chinese traditional culture. >> Read more

In one way the “best” and “worst” may be understood as opposites, as part of the dialectic of rational, western materialism, in which existence is formed by choice and circumstance. Yet, in another sense, the best and worst are embedded within the same cyclical motion. >> Read more

In one way the “best” and “worst” may be understood as opposites, as part of the dialectic of rational, western materialism, in which existence is formed by choice and circumstance. Yet, in another sense, the best and worst are embedded within the same cyclical motion. >> Read more

“An Evening at Gillman Barracks” is tonight at Singapore’s whitewashed gallery enclave. Here, Randian offers preview sights of the shows at premier galleries including Arndt, ShanghART and Mizuma. >> Read more

Yavuz Fine Art is pleased to present Cold Cuts, a solo exhibition by Pinaree Sanpitak, one of Southeast Asia’s most widely known and deeply admired living artists. >> Read more

Where can you go to avoid the art crowd in Hong Kong, particularly when neighborhoods like Central and Wanchai can seem overrun with visiting luminaries during the month of May?
 
 
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Singapore is emerging as a regional culture-hub, with rapidly developing institutions, including Singapore Biennial, and a safe-harbor for major art collections. >> Read more

There was one clear choice. Liu Wei's complex conceptual jungle "Trilogy" at the Minsheng Art Museum, blended painting, sculpture and electronics, the museal space itself to meditate on modernism, China, Beijing, the road to his studio and his own practice. >> Read more

The Westerners are skilled in geometry, and consequently there is no the slightest mistake in their way of rendering light and shade [yang-yin] and distance (near and far). When they paint houses on a wall people are tempted to walk into them . . . Students of painting may well take over one or two points from them to make their own paintings more attractive to the eye. >> Read more