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2020.08.04 Tue, by

In loving memory of the late LIN Xue (1968-2020)

In loving memory of the late LIN Xue (1968-2020) >> Read more
2020.07.26 Sun, by

Guo Hongwei: Among the People

Online viewing room Chambers Fine Art is pleased to announce a new online exhibition featured exclusively on the ADAA Member Viewing Rooms entitled Guo Hongwei: Among the People. Since Things, his first exhibition at Chambers Fine Art in 2009, Guo Hongwei’s primary focus has been on painting although in The Great Metaphorist in 2014 he […] >> Read more
2020.07.26 Sun, by

Zhang Zipiao, WHITE SPACE BEIJING

We are pleased to announce that Zhang Zipiao’s second solo exhibition Blooming at WHITE SPACE BEIJING will be on view on July 18, 2020, in the gallery spaces and online program “spaces” simultaneously. >> Read more
艺术家档案, 2020.06.17 Wed, by

Liu Xi’s Paradox

Echoes of the transgressive works of the early 2000s resound in the ceramics practice of Liu Xi (b.1986, Zibo, Shandong). Liu’s frank exploration of gender and sexuality is courageous. >> Read more
艺术家档案, 2020.04.23 Thu, by

Zhang Peili “The Annual Report of OCD”
Rén Space, Shanghai

This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> Read more
艺术家档案, 2020.04.21 Tue, by

‘The Mirror Sees Best in the Dark’: A solo by Bose Krishnamachari after 9 years

Emami Art, the contemporary art gallery at the Kolkata Centre for Creativity (KCC) is hosting ‘The Mirror Sees Best in the Dark’, a solo exhibition by one of India’s eminent artists, Mr. Bose Krishnamachari. >> Read more
Interviews, 2020.03.16 Mon, by

Lu Yang Devil Kaiju Kills Painting !
(Marilyn Manson says hi)

Lu Yang’s ‘debut’ and Chen Tianzhou’s ‘Backstage Boys’ at BANK stimulate the senses to the point of overload. The gallery is a kitsch carnival where, for instance, the rock star Marilyn Manson is depicted as an ‘enchanting, vicious snake demon’ who resists the fiery attack launched by the Cabalesh Brothers >> Read more
Interviews, 2020.03.07 Sat, by

Mira Dancy, France-Lise McGurn & Clare Woods
Simon Lee Gallery, New York

Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. The submissive female subject typically depicted reclining, seated or kneeling, is one of the most recognizable motifs in art history. As seen in this exhibition, Dancy, McGurn, and Woods respond to this convention through disparate methods presenting the figure as alternatively dominant, vulnerable, playful, or even androgynous, restoring to their subjects a sense of agency and recontextualizing the trope for our contemporary moment. >> Read more
Interviews, 2020.02.08 Sat, by

Mira Dancy, France-Lise McGurn & Clare WoodsSimon Lee Gallery, New York

Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. >> Read more
Interviews, 2019.12.18 Wed, by

JOÃO PENALVA
Simon Lee Gallery, New York

Simon Lee Gallery is proud to announce a solo exhibition by the London-based Portuguese artist, João Penalva. For his first solo exhibition in New York since 2002, Penalva presents two new series of work based on photographs taken at the São Carlos National Theater, in Lisbon, Portugal, that explore the physical mechanics of theatrical fictions and illusions. >> Read more

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