randian | 燃点

Tehching Hsieh is a seminal figure in the history of performance art. Only in recent years has Hsieh been recognized for his commitment as an artistic figure, conducting himself through a series of performances which serve as profound and decisive investigations into human diligence and experience... >> Read more

A Thousand Plateaus Art Space is pleased to announce the opening of the four-year local art practice project Parallel Suspension by the artist group Chen Jianjun + Cao Minghao, as well as the first edition of annual group exhibition project Summer Discovery 2014 on August 9th. >> Read more

Chen Hangfeng’s practice is one which never strays far from the issues affecting modern China. All these works however, are linked by a central theme which ties which is the idea of adaptation—how we adjust to changing environments and the role tradition plays in the face of the juggernaut of modernity.
 
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S.E.A. Focus, a new platform to raise attention on Southeast Asian modern and contemporary art, today revealed the list of galleries and artists partaking in its inaugural edition (23 – 27 January 2019). >> Read more

From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more

Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more

Jumping and whooping, men swept by in costumes covered in fabric petals, their bodies thawed into fluttering colors. It took Andy a moment to realize that their swollen, red features and black, hollowed eyes belonged to wooden masks. >> Read more

Today, our reservoir of desire is not simply the unconscious mind. “Participation Mystique” situates itself within this reconfiguration of desire. In this immense mirage of their making, the artists use various sensory perceptions to tease out our desire, allowing us to be in touch with the pain and excitement of loss, accident, damage and violence, thereby recognizing the profound spiritual ties between us and the world. >> Read more

Before I catch my connecting flight back to Rome, I briefly note down my impression of Art Taipei. “It’s both very young, with the  insecurities and optimism of an adolescent, and very old, with the relaxed attitude of someone who has seen a lot and is a pinch senile”. >> Read more

Three and A Half Performances…… >> Read more