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2020.12.26 Sat, by

“The Tides of the Century” at the Ocean Flower Island Museum

More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more
2020.06.20 Sat, by

Participation Mystique

Today, our reservoir of desire is not simply the unconscious mind. “Participation Mystique” situates itself within this reconfiguration of desire. In this immense mirage of their making, the artists use various sensory perceptions to tease out our desire, allowing us to be in touch with the pain and excitement of loss, accident, damage and violence, thereby recognizing the profound spiritual ties between us and the world. >> Read more
2020.05.28 Thu, by

Eyes on the Prize: The Inaugural 2020 Sigg Prize
Interview with Uli Sigg, Suhanya Raffel, M+ Director, and winner Samson Young

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more
2020.04.20 Mon, by

The End of the World

Will any large exhibition or art fair take place in September. Even if they do, will anyone go? Will US collectors fly to Basel? Will they risk a sudden 2-week quarantine? Even if they do, will they still feel like spending? Will they still have anything to spend even? >> Read more
2019.01.22 Tue, by

Warehouse Story VI

At the beginning of the New Year, Vanguard Gallery is presenting paintings and video installations works by Jin Haofan, Liao Fei and Kelvin Kyung Kun Part for the Warehouse Story series this year. >> Read more
2018.06.23 Sat, by

SEED
Paul Kasmin Gallery
293 Tenth Ave, New York

This exhibition, curated by Yvonne Force, brings together a group of contemporary artists who explore the complexity and resonance of a long association between the natural world, sexuality and fertility, and spirituality and mysticism. >> Read more
思考, 2018.06.14 Thu, by

Local Variants

The first was that we understand our localities better than outsiders do; and the second, was that we know better than the locals how things ought to be. This brings me to reflect again on the anxiety caused by On Practice—Northeast Asia (实践论-东北亚) a year and a half ago; it’s relevance seems pretty clear. >> Read more
思考, 2018.06.04 Mon, by

Museum 2050 Inaugural
Symposium and Workshops

Museum 2050 is a Shanghai-based platform for investigating key issues about the future of cultural institutions in China and abroad from a local perspective. >> Read more
思考, 2018.02.06 Tue, by

Station Paradox

This exhibition is a dialogue between artists from Korea and from Berlin working with painting, video art, installation, and performance. >> Read more
访谈, 2017.11.03 Fri, by

China and Marlborough
Interview with Gilbert Lloyd

Marlborough Galleries, founded in London in 1946, was the first modern International gallery, opening in Rome in 1962 and in New York in 1963, followed by other cities around the world, becoming the prototype for all subsequent International galleries. Ran Dian spoke with Gilbert Lloyd, son of founder Frank Lloyd and Managing Director of Marlborough from 1972 until 1991. >> Read more

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