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Artist profiles, 2014.12.15 Mon, by

Anselm Reyle: Prove Our Love

Leading Australian conceptual artist Scott Redford muses on the place of Anselm Reyle in current postmodern discourse. Reyle, born 1970, retired this year despite being one of the most prominent German artists. >> Read more
Artist profiles, 2014.11.20 Thu, by

2014 Frieze London, Frieze Masters, and around London

Frieze is looking very intensely to China, so maybe we can look forward to a tent on Tian An Men square. >> Read more
Artist profiles, 2014.10.17 Fri, by

Here comes “Zhongguo Dama”

Born in Tibet, the artist Gonkar Gyatso relocated to London. He does not shy away from confronting pertinent social issues happening in Asia, reinterpreting them in a playful style. >> Read more
Interviews, 2014.05.08 Thu, by

Davidoff Art Dialogue:
Collecting Art in China

Chinese collectors are counted on in the world, and many international galleries have opened here. Yesterday was Christie’s inaugural auction in Mainland China, taking place in Shanghai. So who are the Chinese collectors, and what are their priorities? >> Read more
Interviews, 2013.10.23 Wed, by

HUGO BOSS ASIA ART

The inaugural HUGO BOSS ASIA ART initiated by the Rockbund Art Museum (RAM) and HUGO BOSS, was announced in Shanghai in June this year. Seven emerging artists from Greater China have made the cut for the finalist。 >> Read more
Think, 2013.02.07 Thu, by

Refined, All Too Refined: A Trend of 2012

As we might have imagined, the Chinese art scene of 2012 was full of glitz and clamor. This was demonstrated most aggressively through the curation in the first large-scale solo show of the year... >> Read more
Think, 2012.01.20 Fri, by

Interview with Fabien Fryns-On Becoming a Collector and then Art Dealer

Fabien Fryns grew up in Belgium and Switzerland and began collecting art while still in high school. His first gallery was in Malaga, Spain, but in 2004 he moved to Beijing and opened a gallery in Caochangdi (F2 Gallery). >> Read more
History & Theory, 2009.03.09 Mon, by

Spheres of Influence

The Westerners are skilled in geometry, and consequently there is no the slightest mistake in their way of rendering light and shade [yang-yin] and distance (near and far). When they paint houses on a wall people are tempted to walk into them . . . Students of painting may well take over one or two points from them to make their own paintings more attractive to the eye. >> Read more

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