randian | 燃点

From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more

(中文) 上海其他画廊十年拖欠艺术家近 44,000 英镑及作品 16 件 >> Read more

Today, our reservoir of desire is not simply the unconscious mind. “Participation Mystique” situates itself within this reconfiguration of desire. In this immense mirage of their making, the artists use various sensory perceptions to tease out our desire, allowing us to be in touch with the pain and excitement of loss, accident, damage and violence, thereby recognizing the profound spiritual ties between us and the world. >> Read more

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more

by Ran Dian Not a lot of positive news comes out of Hong Kong these days but the shortlist for the revamped CCCA (Chinese Contemporary Art Award) has just been announced. Nominated artists are Hu Xiaoyuan, Liang Shuo, Lin Yilin, Tao Hui, Shen Xin and Samson Young. Two are women: Hu Xiaoyuan and Shen Xin. […] >> Read more

A total of 352 artworks worth around 300 million Euros by Anselm Kiefer, Markus Lüpertz and Renate Graf are supposedly withheld from its owner >> Read more

Before I catch my connecting flight back to Rome, I briefly note down my impression of Art Taipei. “It’s both very young, with the  insecurities and optimism of an adolescent, and very old, with the relaxed attitude of someone who has seen a lot and is a pinch senile”. >> Read more

SGA Three on the Bund announces its new exhibition, Aftermath余波, a dramatic vision by Gao Weigang and Michael Joo of environmental uncertainty and a post-technological world. >> Read more

by Chris Moore The China art market faces its most difficult period since 2008. With the developing US-China trade war, increasing skepticism towards corporate China’s debt (particularly banks), growing uncertainty from political unrest in Hong Kong, and a weakening global economy, not least in Germany, the economic “motor of Europe”, and the continuing UK Brexit […] >> Read more

Independent Art Spaces (IAS) is pleased to announce its fourth edition from 6 – 8 September 2019. >> Read more