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Artist profiles, 2013.10.31 Thu, by

Kwan Sheung Chi: Too Simple, Sometimes Naïve

More so than whatever a prize like this might mean to the artist, however, is the question of what his success in Shanghai indicates about the Chinese art world at the moment—and, by transference, what role Hong Kong is playing in relation to this system. Whereas artists working in Hong Kong were once fond of saying... >> Read more
Interviews, 2013.01.15 Tue, by

I am the World, I Want to Be Forgotten: Interview with Ai Weiwei

Randian Editor Iona Whittaker in conversation with Ai Weiwei — Chinese artist, writer, filmmaker and commentator — at his Beijing studio. The year 2012 marked his release from house arrest and the film "Never Sorry".... >> Read more
Interviews, 2015.05.12 Tue, by

The Beautiful One Has Come

Steyerl's work is so cogent because, as a provocateur, she is able to coherently foreground the mechanisms of art that have long been buried and ignored. As Steyerl herself says: Too Much World. >> Read more
Interviews, 2022.01.28 Fri, by

Animal Mineral Vegetable: Angela Bulloch’s Architectural Gestures

Angela Bulloch – ‘It's a feast for the mind because their appearance changes, so you're constantly doing adjustments with your eyes. Your eyes are trying to find the similarities, the differences, the irregularities. It’s like scratching an itchy place in the mind.’ >> Read more
Artist profiles, 2021.10.02 Sat, by

Rui Matsunaga and the Myth of Survival
– an interview with Alice Gee

by Alice Gee Rui Matsunaga – The Myth of Survival Daiwa Anglo-Japanese Foundation (13/14 Cornwall Terrace, Regent’s Park, London) September 10–November 26, 2021 Rui Matsunaga, a Japanese artist based in Yamaguchi, is obsessed with the end of the world. Over five years she has examined the ‘apocalypse’ through various perspectives: the works of Dürer, animism, tribal and religious myths, and […] >> Read more
Think, 2021.05.11 Tue, by

A PhiloPhotoPoetics of Emptiness, Its “Shadow-Tracing” (摄影): A Roundtable Conversation with Gabriela Morawetz & Kyoo Lee

Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more
Artist profiles, 2021.03.23 Tue, by

True Paradise
Dao Chau Hai’s ‘THINH’
at Manzi Art Space, Hanoi

Dao Chau Hai – a solitary wanderer in the endless exile of the mind, searching for a paradise that does not exist. >> Read more
Artist profiles, 2021.02.18 Thu, by

Lindy Lee at MCA Australia, Sydney
Replicas, postmodernism and ‘bad copies’

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more
Interviews, 2020.12.16 Wed, by

Ashley Bickerton
Seascapes At The End Of History

Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more
访谈, 2020.11.03 Tue, by

Werner Büttner and the Invention of BAD Painting

Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more

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