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"MEMO" will be a continued exhibition in WHITE SPACE BEIJING. "MEMO", compared with other group exhibitions in their general sense, highlights the review and recollection of individual practice... >> Read more

Night Raids the group exhibition Night Strike by young artists is one of the Road Roller project. This exhibition is another hit of the post-90s artists. In the shroud of night, strike is their attitude, with fresh conceptions and passionate heat bursting out in the space. Curator： Wang Man Artists（listed in no particular order） Chen […] >> Read more

Chi Peng, Gao Lei, He Xiangyu, Jian Ce, Li Shurui, Liu Ren, Liu Xinyi, Liu Wentao, Miao Xiaochun, Shi Zhiying, Su Bo, Wang Chung-kun, Wang Haiyang, Wang Min, Wang Qiang, Xie Fan, Yu Bogong, Yang Hongwei, Yang Jian, Yangzi, Zhu Zi >> Read more

More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more

Stroll along the city's waterfront and discover the opening of the "Tomorrow's Park" - Oh Bay Art Project >> Read more

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> Read more

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more

From July 6 to August 14, 2018, the Guangdong Museum of Art hosts the exhibition ‘PAINTING AFTER PAINTING AFTER PAINTING AFTER: IMAGE-MAKING IN CONTEMPORARY GERMANY’, presenting four of the most accomplished mid-career painters of Germany today: Franz Ackermann, Benjamin Appel, Thomas Scheibitz and Katja Strunz. The exhibition is a pilot project that in exemplary ways introduces the state-of-the-art in German post-painting developments […] >> Read more

Entitled Starting from the Desert. Ecologies on the Edge, the Second Yinchuan Biennale will open on June 9, 2018, at the MOCA Yinchuan. Under the artistic direction of Marco Scotini, the Yinchuan Biennale is pleased to announce the curatorial team composed of Andris Brinkmanis, Paolo Caffoni, Zasha Colah, and Lu Xinghua. >> Read more

Writing from Paris in 1991 under the pseudonym “No Beard Fei,” Fei Dawei penned a letter to fellow art critic and curator “Scraggly Beard Grandpa,” the pen name of Li Xianting in Beijing. Fei’s letter was a response to Li’s concern that “if art leaves its cultural motherland, it necessarily withers.” >> Read more