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2020.01.13 Mon, by

Natee Utarit & Nadiah Bamadhaj
Richard Koh Fine Art, Singapore

To inaugurate its 10-year anniversary celebration in Singapore, Richard Koh Fine Art (RKFA) kicks off the year with two special solo presentations by Natee Utarit and Nadiah Bamadhaj. RKFA is pleased to announce two highly anticipated exhibitions titled DÉJÀ VU: Your Past is My Future by Natee Utarit (b.1970) & Dreaming Desire by Nadiah Bamadhaj (b.1968) at RKFA Singapore. >> Read more
2019.06.13 Thu, by

Haroon Mirza
Tones in the Key of Electricity
Sifang Art Museum, Nanjing

The Sifang Art Museum and Victor Wang are proud to present the first solo museum exhibition in China by UK‐based artist Haroon Mirza. >> Read more
2019.04.02 Tue, by

Dhaka Art Summit – Programme Announcement – 7-15 February 2020

Samdani Art Foundation announces Seismic Movements: Dhaka Art Summit 2020, the fifth edition of the bi-annual research and exhibition platform focused on art and architecture connected to South Asia, to be held from 7 - 15 February 2020 in the Bangladesh Shilpakala Academy. >> Read more
2019.03.15 Fri, by

Tobias Rehberger
If you don’t use your eyes to see, you will use them to cry
Rockbund Art Museum

The Rockbund Art Museum is very pleased to present the first institutional solo exhibition in China by the renowned German artist Tobias Rehberger. >> Read more
2019.03.14 Thu, by

Tobias Rehberger : If you don’t use your eyes to see, you will use them to cry

The Rockbund Art Museum is very pleased to present the first institutional solo exhibition in China by the renowned German artist Tobias Rehberger. >> Read more
2018.06.01 Fri, by

Marina Pinksy
‘Everything Was Forever, Until It Was No More’
RIBOCA1
Riga International Biennial of Contemporary Art.

The title, Everything Was Forever, Until it Was No More, is borrowed from Alexei Yurchak’s book of the same name. Yurchak discusses the collapse of the Soviet Union and one particular characteristic that defined it: the sense that although the Soviet system was felt to be permanent and immutable, its demise was at the same time perceived as completely natural. >> Read more
2018.05.28 Mon, by

Alien
XU ZHEN®
ShanghART Shanghai

ShanghART Gallery is pleased to present XU ZHEN®’s solo exhibition: “Alien” in May 2018. >> Read more
Interviews, 2018.05.12 Sat, by

Larger than Life—AA Bronson and Alvin Li in Conversation

Perhaps no one in the western art world today has more to say about a whole host of topics, from independent publishing, to queer history, to dealing with loss and hope, than AA Bronson. >> Read more
Interviews, 2018.04.26 Thu, by

Wang Dongling: Poetry and Painting

During the week that Wang Dongling was in New York for the opening of the exhibition Wang Dongling: Poetry and Painting at Chambers Fine Art on February 28, 2018 he gave three public demonstrations of calligraphy that for those lucky enough to witness them revealed why calligraphy has long been revered above all other forms of visual art in China. >> Read more
Interviews, 2018.04.26 Thu, by

Vivien Zhang: Uzumaki
House of Egorn, Berlin

Uzumaki is the name of a Japanese manga published from 1998 to 1999. Its author Junji Ito used the shape of a spiral as a form of horror. Spirals are generally regarded positively in Japanese society, so the challenge of Uzumaki was to take the mysterious pattern as larger than humanity’s capability for understanding and twist it into a terrible force. >> Read more

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