randian | 燃点

On the occasion of Gallery Weekend 2019, Esther Schipper is pleased to present Ryan Gander’s second solo exhibition with the gallery. >> Read more

Samson Young’s 2018 solo exhibition at Edouard Malingue Gallery (Shanghai) entitled The highway is like a lion’s mouth follows from the English translation of a slogan that is familiar to Hong Kongers. >> Read more

de Sarthe is pleased to announce a solo presentation by Christopher K. Ho, opening 1 September and running through 15 September. >> Read more

In celebration of its fifth anniversary, for summer 2018 OCAT Xi’an orchestrated a special focus on “Xi’an”, its art, culture, and geography present and past, through a large-scale, expanded presentation of the Xi’an Showcase project. >> Read more

From his 2016 solo show “Making Good Things Go Better” at Telescope Space to “Fantastic Grounds” in 2017, Jiu Jiu has been concerned with looking at counteracting forces produced by the formation of images. But the computer interface still remains in the “othered” position of being objectified, whether it is in the artist’s artistic process or the audience’s viewing experience. >> Read more

Cliches are always already on the canvas, >> Read more

America My Hometown traces Edward Kienholz’s formative years (1954-1967), showing an artist coming to terms with both his unique vision and the social climate of the US throughout this tumultuous era. The work is direct and raw in its execution, as well as unsparingly critical of the political problems of twentieth-century America. >> Read more

What vast universe is stored within Taipei’s prismatic clouds? >> Read more

In “Into the Great Wide Open” the late Tom Petty describes a hegemon in the fog of post war hubris as “a rebel without a clue”. >> Read more

The exhibition On Struggling to Remain Present When You Want to Disappear opens on April 8, 2018, at OCAT Shanghai. >> Read more