randian | 燃点

Taipei Biennial 2014 is pleased to announce the list of participating artists for The Great Acceleration. Curated by Nicolas Bourriaud >> Read more

As a complex and prolific artist, Kusama marks her days plotting bold dots in the trajectory of Japanese contemporary art. Her installations of floating world constructed with flickering lights have few precedents in their lasting three dimensional transformation of space.
 
>> Read more

Para Site is Hong Kong's leading contemporary art centre and one of the oldest and most active independent art institutions in Asia. It produces exhibitions, publications and discursive projects aimed at forging a critical understanding of local and international phenomena in art and society. >> Read more

You enter through the penguins, a crowd of inflatable riot police, walk past the cute-kitsch porcelain figurines, including police assaulting a woman (“Cairo Walk”2006), past the restaurant-neon military badges that have taken flight (“Falcons” 2012) — and there against the back wall stands a striking white pyramid. Atop its precarious steps, giant wings await: you become an angel — an Egyptian eagle. >> Read more

Since the late 1980s, contemporary Chinese art has gained an increasingly high profile within the international art world. This profile has accrued for four substantive reasons: first, because of the sometimes highly innovative way in which producers of contemporary Chinese art have sought to combine/hybridize attitudes, >> Read more

Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

SGA Three on the Bund announces its new exhibition, Aftermath余波, a dramatic vision by Gao Weigang and Michael Joo of environmental uncertainty and a post-technological world. >> Read more

‟Liquefied Sunshine | Force Majeure” is a dual solo exhibition by Hong Kong artists, >> Read more

The performance artist Lee Wen passed away on 3 March 2019, in Singapore, after having suffered from Parkinson’s Disease. He was a pioneer who defined and shaped performance art in Asia. Together with some of his peers, Lee reimagined the foundations of academic art, opening its vocabulary and techniques to a socially engaged practice. >> Read more