randian | 燃点

New York Times's Roberta Smith on Song Dong at Pace | Xu Bing at Oxford's Ashmoleon Museum | Sales halve at China's leading auction houses >> Read more

ArtStage Singapore 2012 opens | Marc Quinn throws a baby into Singapore garden | Buhl photography collection auctioned | >> Read more

ArtBasel announced the exhibitors to its second art fair in Hong Kong, the first under the ArtBasel brand. 245 galleries from around the world, over 50 % from Asia and Asia-Pacific, altogether over 3,000 artists. >> Read more

Dao Chau Hai – a solitary wanderer in the endless exile of the mind, searching for a paradise that does not exist. >> Read more

by Quyen Hoang Will Thurman ‘Life Paintings, Volume 1: 2015-2020’ Galerie Quỳnh (118 Đường Nguyễn Văn Thủ, Đa Kao, District 1, Ho Chi Minh City) Oct. 20­ – Dec.12, 2020 In this fervent age of over-exposure on social media, mystery is a rare commodity. Will Thurman’s solo exhibition presents an intriguing scenario by requesting its visitors to leave their phones […] >> Read more

Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more

by Alice Gee Thao Nguyen Phan ‘Becoming Alluvium’ Chisenhale Gallery (64 Chisenhale Rd, Bow, London E3 5QZ) Sept. 26, 2020 – Dec. 6, 2020 Thao Nguyen Phan’s Becoming Alluvium, comprising a single-channel video and a series of lacquer and silk paintings, arrives at the Chisenhale Gallery in London after exhibitions in Brussels and Barcelona. In these […] >> Read more

The Michel Majerus Estate is delighted to present Takashi Murakami: Michel Majerus Superflat, curated by Tobias Berger. >> Read more

While the COVID-19 pandemic continued extending its reach across the globe, the month of May in Beijing, with the return of Gallery Weekend Beijing and two new museums opening, seemingly saw the Beijing art world bouncing back to a steady drum of exhibitions. Yet the emergence of new cases of COVID-19 in early June (at Xinfadi Market, Beijing) put Beijing on edge once more. >> Read more

Tianjin, just half an hour by train from Beijing, is said to be the most inconspicuous of China’s municipalities. This is perhaps surprising, given the fact that it is the first city in Northern China to be exposed to modern culture, experiencing a glamorous era in the period following 1860 when it became a treaty port. Tianjin is the epitome of modernity with “Chinese characteristics”. >> Read more