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2013.07.10 Wed, by

Xiong Yu – Time Node

A Thousand Plateaus Art Space is pleased to present the artist Xiong Yu’s solo exhibition “Xiong Yu - Time Node”, which is also the first exhibition of A Thousand Plateaus Art Space after we move to the new space in Tiexiang Temple Riverfront of High-Tech Development Zone, Chengdu. >> Read more
Art World, 2013.06.20 Thu, by

Notes and Quotes and Pics and Bits from Venice

On the day the winners are announced, I stumble upon the celebratory drinks for the combined Lithuanian and Cyprus Pavilions, which won a special mention from the jury...
 
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Art World, 2010.10.24 Sun, by

Talking With Elizabeth de Brabant

Elisabeth de Brabant came to Shanghai in 2004 and soon began working in the then nascent M50 art district. In 2008 she established her own art advisory firm and gallery. Here de Brabant talks with Randian about growing up in a family of New York collectors, the nature of galleries and the problems of the China […] >> Read more
Art World, 2014.12.02 Tue, by

Seven Days in Shanghai

This fall, Shanghai’s profusion of events made it almost seem like the central hub of contemporary art in China. Here is an overview of what happened—with more coverage to come later. 
 
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Interviews, 2022.01.28 Fri, by

Animal Mineral Vegetable: Angela Bulloch’s Architectural Gestures

Angela Bulloch – ‘It's a feast for the mind because their appearance changes, so you're constantly doing adjustments with your eyes. Your eyes are trying to find the similarities, the differences, the irregularities. It’s like scratching an itchy place in the mind.’ >> Read more
Artist profiles, 2021.10.02 Sat, by

Rui Matsunaga and the Myth of Survival
– an interview with Alice Gee

by Alice Gee Rui Matsunaga – The Myth of Survival Daiwa Anglo-Japanese Foundation (13/14 Cornwall Terrace, Regent’s Park, London) September 10–November 26, 2021 Rui Matsunaga, a Japanese artist based in Yamaguchi, is obsessed with the end of the world. Over five years she has examined the ‘apocalypse’ through various perspectives: the works of Dürer, animism, tribal and religious myths, and […] >> Read more
Think, 2021.05.11 Tue, by

A PhiloPhotoPoetics of Emptiness, Its “Shadow-Tracing” (摄影): A Roundtable Conversation with Gabriela Morawetz & Kyoo Lee

Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more
Interviews, 2020.11.03 Tue, by

Werner Büttner and the Invention of BAD Painting

Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more
Artist profiles, 2020.09.23 Wed, by

The Maschkera
A story inspired by Han Feng’s new work

Jumping and whooping, men swept by in costumes covered in fabric petals, their bodies thawed into fluttering colors. It took Andy a moment to realize that their swollen, red features and black, hollowed eyes belonged to wooden masks. >> Read more
Interviews, 2020.06.28 Sun, by

Professor Guo Yaxi: Reticence in Transformation

Tianjin, just half an hour by train from Beijing, is said to be the most inconspicuous of China’s municipalities. This is perhaps surprising, given the fact that it is the first city in Northern China to be exposed to modern culture, experiencing a glamorous era in the period following 1860 when it became a treaty port. Tianjin is the epitome of modernity with “Chinese characteristics”. >> Read more

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