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2016.11.02 Wed, by

WILLIAM EGGLESTON
“The Democratic Forest”
David Zwirner
New York

David Zwirner is pleased to present its first exhibition with William Eggleston since having announced the gallery’s exclusive worldwide representation of the artist. >> Read more
2016.09.01 Thu, by

EMERGING AND MID-CAREER ARTISTS ON SHOW AT THE 9TH ASIA CONTEMPORARY ART SHOW

The 9th edition of the popular Asia Contemporary Art Show opens in just over a month, again at the convenient, 5-star Conrad Hong Kong. >> Read more
2016.08.30 Tue, by

“Nature: A subjective Place”- SCoP

(中文) 2015年秋天,SCoP推出了以人物为喻体的展览。这个秋天,大自然一跃成为主角,通过摄影,我们探讨表现、结构和象征自然的画意方式; >> Read more
2016.05.18 Wed, by

NEW LANDSCAPES

HDM Gallery is pleased to present the exhibition “New Landscapes”, featuring 5 artists: Xue Feng, Yuan Yuan, Yang Yongliang, Zhao Xuebing and Zhu Xinyu. >> Read more
2016.05.13 Fri, by

Bae Bien-U – 分合 – PART:MEET

Axel Vervoordt Gallery is proud to present Bae Bien-U’s first solo exhibition in Hong Kong 分合 - PART:MEET in which he will show new works from the Sonamu - Pine Tree series. >> Read more
2016.04.24 Sun, by

BAS JAN ADER
Simon Lee Gallery, London

Simon Lee Gallery is proud to announce a solo exhibition of work by Dutch conceptual artist Bas Jan Ader, one of the most influential artists of his generation. >> Read more
2016.04.07 Thu, by

WASAK!

The exhibition was a survey in the best and the worst sense—a pie chart of the contemporary art scene.
 
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2016.04.07 Thu, by

About the War in Northern Myanmar

It is not what you do, but how you do it that makes it either a good deed or good art. In the case of “About the War in Northern Myanmar”, Zhang Yue and Bao Xiaowei succeeded in both, making this the most memorable show in Beijing in 2015. >> Read more
2015.11.07 Sat, by

Unraveling the Modern

Titling a biennial “Modern Life” is a bold move, but this is what the artistic director of the Lyon Biennale, Thierry Raspail, has chosen to do.
 
>> Read more
Artist profiles, 2015.06.24 Wed, by

From Memory to Archive: Remembrance and Amnesia in the works of Liu Ding

Row after row of sleek black telephones on white plinths, each one indistinguishable from the next; we are reminded at first of the cold, impersonal, mass-produced objects of a factory, devoid of human traces. >> Read more

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