randian | 燃点

When I first saw Dan Graham, he stood almost anonymously by the wall, white hair and beard, a checked-flannel shirt and old cardigan.
 
 
 
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One of the most influential artists of his generation, Baselitz was dismissed from art school after only two semesters for "gesellschaftspolitisch unreif" ("socio-political immaturity")... >> Read more

For most, Vietnam is an idea formed, since the beginning of the twentieth century, by a foreigner’s idea of the foreign, rather more than by its residents. >> Read more

In essence, Zheng Chongbin has fought an unwinnable but fertile battle to deconstruct and meld traditions.
 
 
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I visited Gregor Hilderbrandt’s studio in West Berlin; a string of rooms are packed with seemingly every material and detritus possible....Gregor arrives, wearing dark jeans and jacket, and an un-tucked stripy business-shirt.... >> Read more

“Artist” is irreplaceable and useless.This introduction to Ryan Gander is also useless. Where to begin even?
 
 
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Presentation: randian’s first print issue Date: May 16, 4–8 pm >> Read more

Huang Yong Ping, the most prominent member of "Xiamen Dada", was one of the key artists to have emerged in 1980s China. Here the art historian and director of MAXXI Rome, Hou Hanru, spoke about “Baton Serpent”, a major survey of Huang Yong Ping in Italy... >> Read more

In 2012, Anna Liu became the Director of the Chinese Contemporary Art Award (CCAA). Here, she gives Randian her perspective on the nature of CCAA, its challenges and aims. >> Read more

The art of Michael Elmgreen and Ingar Dragset treats the event and experience of exhibitions as their media—including theatrical interaction with the audience. While frequently playful, most of their work has a strong political seam... >> Read more