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2016.09.25 Sun, by

Nan Hao “Production Void – an installation” (hijacked” by Alessandro Rolandi)
Jiali Gallery Beijing

In 2007, at Imagine Gallery in FeiJiaCun, I saw a video in which a young Chinese artist was practicing Tai Chi in the middle of a huge crossroads where multiple lanes converged. >> Read more
2016.09.14 Wed, by

WANG JIAN
“nothingness was not”
PIFO Gallery
Beijing

Reflecting on Wang Jian's extensive body of work and research material this exhibition brings together photography, works on paper and large-scale oil paintings to interrogate the origins of Wang Jian's explorations in metaphysics, Chinese Maximalism (after Gao Minglu) and international minimalism. >> Read more
2016.08.30 Tue, by

Yang Mushi – Illegitimate Production – Galerie Urs Meile

Galerie Urs Meile is pleased to announce the opening of Illegitimate Production, the first solo exhibition by young emerging Chinese artist Yang Mushi (*1989) at our gallery. >> Read more
2016.07.08 Fri, by

Fang Lu: True Sense | Ou Jin: New Works

(中文) 我们荣幸地宣布,将于2016年6月9日推出艺术家方璐在博而励画廊的第二次个展——“无限感应” >> Read more
2016.07.07 Thu, by

Permanence and Impermanence

Sorry, this entry is only available in 中文. >> Read more
2016.06.08 Wed, by

Between Language and Infinity

Yang Jian’s exhibition “The beginning of infinity” engages with a different, but parallel experiment. >> Read more
2016.04.29 Fri, by

Art Basel in Basel | Unlimited Announcement

Unlimited: Presenting 88 ambitious and large-scale works spanning six decades >> Read more
2016.04.28 Thu, by

Sound and Fury: Anri Sala at the New Museum

Anri Sala has increasingly turned to sound as both material and subject in his recent multimedia installations.
 
 
>> Read more
2016.04.21 Thu, by

Yang Jian | The Beginning of Infinity

We are pleased to present Yang Jian's third solo exhibition " The Beginning of Infinity ", will be opened on April 23, 2016. >> Read more
2016.04.08 Fri, by

“what it is about when it is about nothing”

Eschewing the tangible details, like state iconography or paeans to Singlish and the "kampung" spirit, Lee’s oblique approach suggests that things which may not seem to have much to do with Singapore could actually tell us much more than signifiers fraught with overuse... >> Read more

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