randian | 燃点

Simchowitz's controversial business model, obstinate personality, omnipresence on social media, and big mouth have consistently earned him a spot at the center of heated and polarized debates about his policy of aggressively stockpiling emerging artists' work so as to compete with galleries and dealers for their market share. >> Read more

Like your average snobby Singaporean, my first thought on hearing of KL’s inaugural gallery weekend (misheard as a gallery "week") was: “Really? Are there enough galleries?” >> Read more

I feel that the exhibitions on November 9 and following it are worth looking at with a sense of doubt about the establishment and with a questioning attitude. Here are my observations. >> Read more

(中文) 一个当代艺术展览，如何在有限的时间与空间里实现其“存在”？ >> Read more

It is a curious historical fact that such a small and distant country as Switzerland has had such a profound impact on the development of art in China, especially at this moment of China’s greatest economic and cultural transformation. >> Read more

Martin Wong was a storyteller, often prefacing descriptions of his works with quips like “There’s a long story to this painting,” before going into versions of his autobiographical account of the details behind the scenes he’d craft. >> Read more

In an email, Liao wrote, “The major factor that drives my practice is existential bewilderment about the self and the outside world. >> Read more

(中文) 十二生肖，十二个月，十二门徒，十二主神……十二无论对于东西方都是一个非常重要的数字。古代人们习惯通过数字12来表达一个完整周期，寓意着对过去的总结和未来的展望。 >> Read more

A similar trance-poetics is evident in the films of James Benning, who, as Stein did in literature, achieves a temporalization of space and a spatialization of time. >> Read more

80,000 kg of human excrement in an art gallery, a Paralympian spinning her wheelchair across Lake Zurich and mournful, lovelorn robots are some of the more entertaining works in Manifesta 11. >> Read more