randian | 燃点

A solo show of lacquer paintings by one of China’s most celebrated contemporary artists, curated by Paul Moorhouse, to coincide with Art Basel in Hong Kong. >> Read more

A 4-Month Series of Artist Residencies, Open Studios, Micro-Exhibitions, Kunst Salons, Parties, Provocations, and a Group Exhibition Curated by Li Zhenhua and David Elliott >> Read more

On the occasion of the 50th anniversary of the Elysée Treaty, which ended a disastrous century of arch enmity between France and Germany, a very ambitious conference was held at the famous China Academy of Arts in Hangzhou... >> Read more

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more

This year’s edition of Para Site’s International conference is interested in the renewed discussion throughout the world, often marked by symbolic actions if not yet by government policy, affecting what gets counted within the category of heritage, and who gets to do the counting: from the increasing debate around repatriation of looted artefacts by colonial powers to the varied and dissimilar processes of renaming and removing symbols of past eras, from India and Myanmar to Confederate America and Apartheid South Africa. >> Read more

Simon Lee Gallery is proud to present a survey of paintings and works on paper by Yun Hyong-keun. >> Read more

A strong advocate for the internationalisation of art, Nathalie Obadia has been instrumental in introducing Chinese artists such as MadeIn, Ni Youyu and Wang Keping to the Paris art scene. >> Read more

This exhibition is a dialogue between artists from Korea and from Berlin working with painting, video art, installation, and performance. >> Read more

MadeIn Gallery is pleased to present “Flickering Boundaries” opening on January 19, 2018, and showcasing the works of Elliot Dodd (U.K., b. 1978), and Xu Zhen® (2013), Yang Jun (b. 1963), Zhang Lian (b. 1984), Zheng Yuan (b. 1988) and Zhu Yu (b. 1970). The term “boundary” defines an area, which isn’t restricted to a […] >> Read more

Hong Kong—Pearl Lam Galleries is proud to present two solo exhibitions of works by Kour Pour (b.1987, England) and Su Dongping (b.1958, China) in Hong Kong. Kour Pour is known for his elaborate carpet paintings that depict familiar symbols of different cultures and universal concepts of beauty. Inspired by an early education in textiles from […] >> Read more