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2014.05.09 Fri, by

João Vasco Paiva: Cast Away

Edouard Malingue Gallery is pleased to announce that João Vasco Paiva (b.1979, Portugal) will be holding a solo exhibition Cast Away at the Orient Foundation in Macau. >> Read more
2014.03.15 Sat, by

ELMGREEN & DRAGSET “THE OLD WORLD”

Galerie Perrotin is pleased to present “THE OLD WORLD”, the first solo exhibition by the artist duo Elmgreen & Dragset in Hong Kong. From April 3 until May 3, visitors are invited to view “THE OLD WORLD”, which is both an elaborate film set and an exhibition in its own right. >> Read more
Interviews, 2013.10.22 Tue, by

“It’s a sustained curiosity”: ICA Director Gregor Muir on Zhang Enli

ICA Director Gregor Muir speaks about his first contact with the artist Zhang Enli's work, their shared impressions of Shanghai, Zhang Enli's artistic practice and why now is the time for a show in London by one of China's "lasting artists". >> Read more
Interviews, 2013.05.06 Mon, by

SIP! INDONESIAN ART TODAY

The exhibition "Sip! Indonesian Art Today" and the accompanying publication results from ARNDT's recent focus on Southeast Asian art and the new Asian and Pacific art markets. >> Read more
Interviews, 2013.04.21 Sun, by

Hong Kong Eye – HONG KONG CONTEMPORARY ART EXHIBITION

Hong Kong Eye presented by Prudential, will open on 1 May 2013 at ArtisTree, TaiKoo Place, Hong Kong. The exhibition seeks to recast and illuminate significant narratives in Hong Kong contemporary art by 24 artists from Hong Kong. >> Read more
Interviews, 2012.06.04 Mon, by

In Conversation with Karen Smith

As Seen is not a simple compilation artist book. It’s about artworks, about looking at artworks in public spaces. It’s about what art does, or about what an encounter with art can be when that art is good. So it’s about how one defines what work is good: about who gets to decide and why. >> Read more
Artist profiles, 2010.09.01 Wed, by

Zhang Enli: From Trees to Sky

Everyday objects in the work of the artist Zhang Enli. >> Read more
History & Theory, 2009.03.09 Mon, by

Spheres of Influence

The Westerners are skilled in geometry, and consequently there is no the slightest mistake in their way of rendering light and shade [yang-yin] and distance (near and far). When they paint houses on a wall people are tempted to walk into them . . . Students of painting may well take over one or two points from them to make their own paintings more attractive to the eye. >> Read more

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