In 2012, Anna Liu became the Director of the Chinese Contemporary Art Award (CCAA). Here, she gives Randian her perspective on the nature of CCAA, its challenges and aims. >> Read more
On the eve of Art Paris 2014, Randian gives you Yu Hsiao-hwei in conversation with fair Director Guillaume Piens on choosing China as this year's Guest of Honor. >> Read more
ICA Director Gregor Muir speaks about his first contact with the artist Zhang Enli's work, their shared impressions of Shanghai, Zhang Enli's artistic practice and why now is the time for a show in London by one of China's "lasting artists". >> Read more
Supervised by the Ministry of Culture, the National Taiwan Museum of Fine Arts (NTMoFA) presents the biennial celebration of Asian contemporary art – the 8th Asian Art Biennial, which opens on October 30. >> Read more
From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more
Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more
“Taoyuan International Art Award” exhibition will open on 13 March 2021 at Taoyuan Arts Center (Taiwan), showcasing the works of 17 finalists. The open call has attracted more than 600 artists from 46 countries to take part, and the grand prize winners will be revealed at the opening ceremony. >> Read more
Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more