randian | 燃点

A total of eleven China and Hong Kong-based galleries will attend Art 14—the same number as for Art 13, though certain names have come and gone.
 
 
>> Read more

James Cahill, Renowned Historian of Chinese Art, Passes Away Aged 87 >> Read more

The passing twelve months have seen the greater Chinese scene piqued by scandal, pressure and anti-climax and sprinkled only lightly, it seemed, with really effective art. 2013 felt like a tense and ambivalent year. >> Read more

Writer Luise Guest examines the banal and the beautiful in the work of Gao Rong and Dong Yuan, two Beijing-based women artists who deal with issues of memory and domesticity in their work.
 
>> Read more

In 2010 Gallery Yang was founded in 798 Art District, Beijing. It dedicates itself to promoting independent young Chinese artists, the ideas generated by critical thinking, and the searching for more possibilities of contemporary art. >> Read more

From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more

More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more

While the COVID-19 pandemic continued extending its reach across the globe, the month of May in Beijing, with the return of Gallery Weekend Beijing and two new museums opening, seemingly saw the Beijing art world bouncing back to a steady drum of exhibitions. Yet the emergence of new cases of COVID-19 in early June (at Xinfadi Market, Beijing) put Beijing on edge once more. >> Read more

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more

(中文) 它们在繁华与寂寥、权力与规训、国家与个人的两极穿梭，不间断地继续着比赛，而这正是“比赛继续，舞台留下”的意义。 >> Read more