randian | 燃点

Opening on 16 October, 2020, ShanghART Gallery is pleased to present "Winding Time", the second exhibition this year at its Beijing location. On view will be works by eight artists, including Han Feng, Hu Liu, He Wei, Liu Weijian, Ouyang Chun, Sun Xun, Yan Bing and Zhao Yang. >> Read more

While the COVID-19 pandemic continued extending its reach across the globe, the month of May in Beijing, with the return of Gallery Weekend Beijing and two new museums opening, seemingly saw the Beijing art world bouncing back to a steady drum of exhibitions. Yet the emergence of new cases of COVID-19 in early June (at Xinfadi Market, Beijing) put Beijing on edge once more. >> Read more

Pal(ate)/ette/ will show artworks throughout Three on the Bund with the exhibition’s core display in SGA. Curated by NRM,Pal(ate)/ette/ reflects the spectrum of associations of the homonyms Palateand Palette; a synthesis of the senses – taste sight hearing smell taste and touch – and presenting Three on the Bund as a cultural whole. >> Read more

As we enter into 2019, we face an important year for 3812 Gallery and for Asian art enterprises. >> Read more

(中文) 上海摄影艺术中心（SCoP）荣幸地宣布最新展览《摄寻千里：十见天地》将于2018年12月8日开幕。《摄寻千里：十见天地》聚焦新生代摄影师的新视角，遴选了十位杰出摄影师的二百余件作品，包括：陈荣辉、甘莹莹、黎朗、骆丹、木格、史阳琨、汪滢滢、张克纯、张晓，以及庄辉。 他们的作品中透露着对历史和社会的关注，以及个人、团体和社会的自我意识。通过这些特质，他们审视着当下，唤起了过去也指示着未来。 >> Read more

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more

From Sep 29 to Oct 4, 2018, the annual special project RAM HIGHLIGHT 2018: “Is It My Body?” will be launched at the Rockbund Art Museum (RAM) Shanghai. >> Read more

In celebration of its fifth anniversary, for summer 2018 OCAT Xi’an orchestrated a special focus on “Xi’an”, its art, culture, and geography present and past, through a large-scale, expanded presentation of the Xi’an Showcase project. >> Read more

Over the past few years my research has focused on the development of sound art and experimental music practices in China since the early '90s. My approach to these practices has been strongly influenced by the idea that sound can be critical. >> Read more

The first was that we understand our localities better than outsiders do; and the second, was that we know better than the locals how things ought to be. This brings me to reflect again on the anxiety caused by On Practice—Northeast Asia (实践论-东北亚) a year and a half ago; it’s relevance seems pretty clear. >> Read more