randian | 燃点

How much translation is needed to bring out relationships between different works? The Part In The Story is an exhibition exploring the transmissive qualities of objects, situations, and storytelling, where one can dissolve into the others. >> Read more

How can one work of art moderate another one? Can the audience become the moderator of the works on view? >> Read more

Pearl Lam Galleries opens at Singapore’s Gillman Barracks, marking its third space in Asia, presenting boundary-crossing inaugural exhibition WHERE DOES IT ALL BEGIN? Contemporary Abstract Art in Asia and the West >> Read more

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more

Amid a very tense atmosphere in Paris, Chris Moore reviews its prime art fair, FIAC. >> Read more

On a recent visit to Marfa, I found myself musing on the relationship between Judd’s fervent vision for permanence and the natural environment that moves it.
 

 
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As consumers of cinema, as addicts, we mainline film’s nostalgia, the way it seduces our caved Platonic souls to believe in brusque impressions. We feel the awkwardness of cinematic ghosts, even empathize with them, blinding ourselves like Oedipus.... >> Read more

Chris Moore surveys Zhang Huan's art since the artist returned to China, with particular focus on the Ash Paintings exhibited at White Cube in London this summer, along with his major installations.... >> Read more