randian | 燃点

A+ Contemporary is pleased to announce the opening of Hu Weiyi’s solo exhibition “ Intersecting ” on November 6th. >> Read more

‘one, maybe two Parsecs’, Eric Baudart’s solo show at Edouard Malingue Gallery, >> Read more

‘one, maybe two Parsecs’, Eric Baudart’s solo show at Edouard Malingue Gallery, Hong Kong refers to a unit of length or distance as coined to describe astronomical objects outside the solar system. >> Read more

XC. HuA Beijing is pleased to invite you to the opening of Olga Georgieva's exhibition in Beijing, the 13. October at 4 PM. >> Read more

(中文) 影子是关系的产物，幻影则是意识的产物，刘韡的作品是影子与幻影的重影，也是艺术家意识与工人劳作的重影。 >> Read more

A blank sheet of paper is an open space where artists might conceive ground-breaking ideas or where children might doodle with artless abandon. >> Read more

Toulu Hassani’s second solo exhibition at Galerie Rüdiger Schöttle merges her two key methodologies: delicate oil paintings and visual objects made of artificial resin. Her distinct interest in the way humans try to interpret and represent the world through theories and models is intrinsic to, and clearly visible in, her works. >> Read more

In participation with Le French May Arts Festival 2018, >> Read more

During the week that Wang Dongling was in New York for the opening of the exhibition Wang Dongling: Poetry and Painting at Chambers Fine Art on February 28, 2018 he gave three public demonstrations of calligraphy that for those lucky enough to witness them revealed why calligraphy has long been revered above all other forms of visual art in China. >> Read more

Uzumaki is the name of a Japanese manga published from 1998 to 1999. Its author Junji Ito used the shape of a spiral as a form of horror. Spirals are generally regarded positively in Japanese society, so the challenge of Uzumaki was to take the mysterious pattern as larger than humanity’s capability for understanding and twist it into a terrible force. >> Read more