randian | 燃点

David Zwirner is pleased to present This Is Not a Propat the gallery’s 525 and 533 West 19th Street locations in New York. The exhibition features work by Alex Da Corte, Jonathas de Andrade, Felix Gonzalez-Torres, Jonah Groeneboer, Gordon Hall, Hannah Levy, Donald Moffett, Paulo Nazareth, Elle Pérez, Oren Pinhassi, Christina Quarles, Paul Mpagi Sepuya, and Franz West. >> Read more

David Zwirner is pleased to present the United States premiere of Jordan Wolfson’s most recent video work, Riverboat song (2017-2018). >> Read more

Cologne is the source of Germany’s contemporary art scene. It is home to the massively influential Museum Ludwig and the world’s oldest art fair, Art Cologne, the 52nd edition of which has just opened, as well as being a hub for many of the most important post-war German artists, including Gerhard Richter, Sigmar Polke, Georg Baselitz […] >> Read more

303 Gallery presents a new installation by Doug Aitken, titled New Era. >> Read more

David Zwirner is pleased to present new and recent work by Isa Genzken, on view at the gallery’s 533 West 19th Street location. >> Read more

David Zwirner is pleased to present Dan Flavin: in daylight or cool white at its 537 West 20th Street gallery. >> Read more

Faurschou Foundation Beijing has the pleasure of presenting A Lot of Sorrow—a video performance by the Icelandic artist, Ragnar Kjartansson and The National. The work, A Lot of Sorrow, is a single channel video, showing a six-hour long concert by the American band, The National. The band performs their song, Sorrow, repeatedly, in an uninterrupted […] >> Read more

This exhibition is a dialogue between artists from Korea and from Berlin working with painting, video art, installation, and performance. >> Read more

Galerie Chantal Crousel is pleased to announce Vienna-based artist Heimo Zobernig’s fourth solo exhibition at the gallery. >> Read more

An a thousand-metre sea of blue tape stretches across the entrance to the gallery: tensely pulled at one metre or so above the ground, the viewer is invited yet challenged to step in, actively marking their entrance as opposed to passive frequentation. >> Read more