randian | 燃点

Entries open for the 9th Arte Laguna Prize: Painting, sculpture, photographic art, video art and performance, virtual and digital art are the five categories the artists can enter, both online and by mail. >> Read more

The opening pyrotechnics started out at 5 pm. From afar, thick green billows of smoke hung from the sky, drifting from PSA’s large smokestack. >> Read more

Dear Mr & Mrs Singapore: Your children, Art Stage and Biennale, have successfully completed the year and may enter the next class. Here is our report card. They are performing stronger but still have some work to do.
 
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Broad beyond belief, in cultural terms, in comparison with the millennia-spanning survey “China: 5,000 Years” or the more standard national survey shows still favored by mid-sized institutions today, the exhibition's remit is both ambitious and impossible. >> Read more

He taps into a common sense of isolation which surpasses the boundaries of nations, culture, language, and ethnicity. The artist creates a window into the current state of Chinese society, and in some ways even affirms many Western preconceptions about China. >> Read more

Several Shades of Grey Weather (Chapters 1 to 5 have been lost in the cellar at randian headquarters except for the following fragment). Undoubtedly what strikes me most at the fair are the VIP toilets which are divided by panels in six groups of three — I guess to allow private diuretic parties. They are […] >> Read more

Though Art Stage 2013 failed to deliver a great number of adventurous collectors, fair offerings were of consistent quality. And unlike Hong Kong and Taipei, Singapore’s galleries presented interesting shows.... >> Read more

Galleria Continua opened in San Gimignano (Italy) in 1990. In 2005 Galleria Continua opened a new exhibition space in Beijing, China, the aim being to promote international contemporary art in a nation where it is little seen and to encourage new forms of cultural exchange. >> Read more

On Taikang Space 51m2 in Beijing. >> Read more

First published in Broadsheet (vol. 37 no. 4), we have decided to reprint Zhao Chuan's text in celebration of the 10th anniversary of "Fuck Off," a seminal exhibition in contemporary Chinese art. >> Read more