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2015.05.19 Tue, by

Chronus Art Center Research & Creation Fellowship Call for Proposals

This 12-month fellowship program is designed to host international artists and researchers of extraordinary talent working in the area of new media art in order to conduct research and creation at Chronus Art Center (CAC) in Shanghai. >> Read more
2014.10.30 Thu, by

Rhizome announces the Inaugural Prix Net Art Awardees: Jodi & Kari Altmann

After extensive deliberation, the Prix Net Art jury—comprising curators Michael Connor, Samantha Culp, Zhang Ga, and Sabine Himmelsbach—is proud to announce that inaugural $10,000 Prix Net Art has been awarded. >> Read more
2014.09.29 Mon, by

SOCIAL FACTORY: The 10th SHANGHAI BIENNALE

In 2014, for the second time, China’s foremost state-run institution of contemporary art – Power Station of Art – hosts the Shanghai Biennale, in its converted power plant space. >> Read more
2014.07.15 Tue, by

ALLUVIUM, MUSIC II, MOVEMENT Z by Ulf Langheinrich Shown on AVIE

ALLUVIUM is a digitally generated sonic and visual landscape that Ulf Langheinrich describes as a resonating matrix of aesthetic matter. >> Read more
2014.07.09 Wed, by

Somewhere Else

What are young Chinese artists doing in New York? This is an interesting question.The artists, with background like this, are likely to be expected to conform to a specific, predictable worldview, focused on several Chinese styles, as spokespersons for a singular cultural or social identity. >> Read more
2014.07.05 Sat, by

New Acquaintances opens 7/10 at Chambers New York

Chambers Fine Art is pleased to announce the opening on July 10 of New Acquaintances – works by Chen Baoyang, Fu Xiaotong, GAMA and Wang Fengge. >> Read more
2014.06.16 Mon, by

Taipei Biennial 2014

Taipei Biennial 2014 is pleased to announce the list of participating artists for The Great Acceleration. Curated by Nicolas Bourriaud >> Read more
Artist profiles, 2013.03.14 Thu, by

The Afterlife of Images: Yan Lei and Zhou Tiehai

Perhaps the most misunderstood work at dOCUMENTA (13) was Yan Lei’s “Limited Art Project,” the reaction founded on preconceptions and prejudices about Chinese art – particularly painting – lazily assuming it merely riffs on Western clichés, that it is derivative and repetitive. >> Read more

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