randian | 燃点

Group exhibition with Luke CHING, CHU ChunTeng, KWAN Sheung Chi, Elise LAI, Sarah LAI, LAU Hok Shing, LEUNG Mei Ping, LO Chi Kit, NG Ka Chun. >> Read more

Since the Financial Crisis, there has been consistent talk of why the art market has managed to sustain relative buoyancy compared to previous crises. One reason is perhaps that art is beginning to show increasing characteristics of fungibles such as commodities. >> Read more

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more

Jumping and whooping, men swept by in costumes covered in fabric petals, their bodies thawed into fluttering colors. It took Andy a moment to realize that their swollen, red features and black, hollowed eyes belonged to wooden masks. >> Read more

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more

Emami Art, the contemporary art gallery at the Kolkata Centre for Creativity (KCC) is hosting ‘The Mirror Sees Best in the Dark’, a solo exhibition by one of India’s eminent artists, Mr. Bose Krishnamachari. >> Read more

Lu Yang’s ‘debut’ and Chen Tianzhou’s ‘Backstage Boys’ at BANK stimulate the senses to the point of overload. The gallery is a kitsch carnival where, for instance, the rock star Marilyn Manson is depicted as an ‘enchanting, vicious snake demon’ who resists the fiery attack launched by the Cabalesh Brothers >> Read more

Chen Tianzhou, best known for his performance works, has dubbed himself a ‘backstage boy’ – one who spectates his art separately from the audience and ‘disappears into his own work’. >> Read more

In 2019, Zheng Bo once again introduced the "workshop" into his exhibition Goldenrod held at the Institute of Contemporary Arts at New York University in Shanghai. “Eco-Socialist Garden” is a project that includes workshops, architectural models, and printed material. Zheng Bo invited a group of volunteers from different professional fields and divided them into two groups. >> Read more

Richard Koh Fine Art (RKFA-KL) is pleased to announce Phillippine artist Anton del Castillo’s (b. 1976) first solo exhibition in Malaysia. Entitlement is scheduled to run from 18 July – 10 August 2019 at Richard Koh Fine Art, 229, Jalan Maarof, Bukit Bandaraya, Bangsar 59000, Kuala Lumpur. The artist will present 9 mixed media on […] >> Read more