for Chen Chun-Hao, his innovation in media, form, and texture through substitution and amalgamation is informed by “unlikeness in likeness; likeness in unlikeness,” so that the visually unexpected sculptural qualities and the optical illusion they render, together achieve a reasoned liberation in his work.
>> Read moreAs part of his recent series of paintings, Wang Chuan transcribed this poem encapsulating key tenets of Buddhism (2013 No. 71). As the artist’s chosen text, we can expect it to offer insights into the paintings he created around the same time: it may be a key to understanding the series.
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