randian | 燃点

LUXELAKES·A4 Art Museum is honoured to present “MARTIN BOYCE - HANGING GARDENS”, the first institutional presentation of Martin Boyce’s work (*1967, Hamilton UK) in China. >> Read more

Uzumaki is the name of a Japanese manga published from 1998 to 1999. Its author Junji Ito used the shape of a spiral as a form of horror. Spirals are generally regarded positively in Japanese society, so the challenge of Uzumaki was to take the mysterious pattern as larger than humanity’s capability for understanding and twist it into a terrible force. >> Read more

In “Into the Great Wide Open” the late Tom Petty describes a hegemon in the fog of post war hubris as “a rebel without a clue”. >> Read more

She emerges and disappears, paint swirling and eddying, pigment lush and thick. She is familiar to the painter. He has painted her dozens of times. Day turns to dusk. He puts down his brushes. >> Read more

ShanghART S-Space is a special project space of ShanghART Gallery with no fixed space and time. S-Space will hold exhibitions for artists and curators in terms of different curatorial ideas. For this time, S-Space moves into ShanghART Beijing, it will present a group show “Shared Narrative(s)” curated by MIAO Zijin. >> Read more

Writing from Paris in 1991 under the pseudonym “No Beard Fei,” Fei Dawei penned a letter to fellow art critic and curator “Scraggly Beard Grandpa,” the pen name of Li Xianting in Beijing. Fei’s letter was a response to Li’s concern that “if art leaves its cultural motherland, it necessarily withers.” >> Read more

Why walk in areas adjacent to the museum? Why couple the acts of walking with exhibition viewing? Even if the practice of the institution is intimately connected to the local environment, this doesn't necessarily mean that bundling the acts of walking, discussion and exhibition viewing together is a comprehensive response to this issue. >> Read more

In this inaugural symposium, we seek to critically examine the diverse museum practices in both official and private domains of the Greater China Region. We welcome papers that investigate how institutional frameworks are fostered by the unique social and cultural dynamics at play in China. >> Read more

How to present a case study of these two artists who have had such a long career is indeed a challenge. Their practice dates back to the 1950s and their entire work, which spans decades, offers a unique insight into China’s social transformation and artistic revolution from the 1950s to the present day. >> Read more

Artist Talk:  5:30 – 6:30 pm, 7 March 2018 (Wednesday), *RSVP* Essential Opening Reception with Artist Attendance: 6:30 – 8:30 pm, 7 March 2018 (Wednesday), *RSVP* Essential Exhibition Dates: 8 March – 21 April 2018 Venue:  Galerie du Monde, 108 Ruttonjee Centre, 11 Duddell Street, Central, Hong Kong HONG KONG – Galerie du Monde is pleased […] >> Read more