randian | 燃点

It’s that time of the year again: Art Basel lands in Hong Kong this week—bringing along with it a flutter of art openings, dinners, parties and talks, with collectors and scenesters flocking in... >> Read more

“Radicality” is one of the most arresting parts of modern and contemporary art. The discussion will ask where radicality is nowadays within the contemporary art context and whether we need it. >> Read more

Randian interviews Dr. Alexandra Munroe, Ted Lipman and Dr. Thomas J. Berghuis about Wang Jianwei’s “Time Temple” — part of a five-year initiative by the Guggenheim Museum and the Robert H. N. Ho Family Foundation to promote current Chinese art... >> Read more

Ever wanted to own a Zhou Chunya or an Ai Weiwei? Well now major collector status is close within your reach—all for less than 50 RMB.
 
 
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The vicissitudes of the era had no doubt taken their toll, but Sullivan, with an ever keen eye for art, found much to uphold his interest. No matter how messy the scene was, politically, ideologically, socially, artistically, his commitment was constant. Those of us who aspire to recording contemporary art owe a great debt to this fine, magnanimous historian. >> Read more

Shu Tang is an artist who chooses to face the reality. In his eyes, the reality is the most important, if not the most beautiful. He portrays the nature realistically in his work, which reflects his questions, emotions, and faith. >> Read more

The messages of most of the art works in “Virtual Voices” are restrained, perhaps a little too subtle for audiences in Vancouver to grasp given the cultural context of the art — the exception being Remon Wang’s political cartoons. >> Read more

We are in an infinite world, but all kinds of freedom, mutation, and expansion happen in finite situation. In this project “Cygnus”, Xiao Ming and Xiao Hong try to break the border of finiteness with a graceful single-line kind act. This will be a delicate, peaceful, but bravely movement by artists. >> Read more

In spite of all gloomy prophecies to the contrary, the medium of painting has survived. On the other hand, who can still recall Joseph Beuys’s claim that the error already begins the moment an artist sets out to buy stretchers and canvas? >> Read more

On Taikang Space 51m2 in Beijing. >> Read more