randian | 燃点

The fifth edition of West Bund Art & Design will take place from 8 to 11 November, 2018, in Hall A of the West Bund Art Center and the newly constructed Hall N. Located directly across from Hall A, Hall N offers nearly 10,000 square meters of exhibition space. >> Read more

Axel Vervoordt Gallery is eager to present the second solo exhibition of the Korean artists Chung Chang-Sup and Kwon Dae-Sup in the so-called Terrace Gallery.The exhibitions overarching title “Return” is taken from Chung Chang-Sup’s earliest tak series from the ’80s and refers to the reappearance of the usage traditional Korean paper in the artists’ work […] >> Read more

Sullivan+Strumpf Sydney is delighted to present the first solo exhibition in Sydney by celebrated Chinese new media artist Yang Yongliang. >> Read more

These days it seems where ever you turn there are complaints about the gallery system. New York has been discussing the “mid-sized gallery squeeze” for years now—to no avail. The cards are still stacked in favor of the heavy-hitting galleries, like David Zwirner, Hauser & Wirth, Gagosian, you name it. >> Read more

Gallery 55 is proud to present artist Yu Aijun’s solo exhibition "Timetable Occupying Station" from the 24th of March through the 22nd of April 2018. >> Read more

Meng Yangyang was born in China in 1983. She graduated from Sichuan Academy of Fine Arts with a B.A. in 2006 and a M.F.A in 2009. Currently, she lives and works in Shanghai. >> Read more

MadeIn Gallery is pleased to present “Flickering Boundaries” opening on January 19, 2018, and showcasing the works of Elliot Dodd (U.K., b. 1978), and Xu Zhen® (2013), Yang Jun (b. 1963), Zhang Lian (b. 1984), Zheng Yuan (b. 1988) and Zhu Yu (b. 1970). The term “boundary” defines an area, which isn’t restricted to a […] >> Read more

MadeIn Gallery is pleased to present “Flickering Boundaries” opening on January 19, 2018, >> Read more

Galerie Chantal Crousel is pleased to present Haegue Yang’s third solo exhibition, "Quasi-ESP", after "Ajar" (2012, La Douane) and "Ovals and Circles" (2013). >> Read more

Hell here is an opulent info overload, data is religion, A.I. is unhinged, google images are the panopticon of the gaoler-prisoner, miasma is Miami and resistance art is futile. I kept thinking of Kanye West's Monster track—but only the bits with Nicky Minaj. >> Read more