randian | 燃点

The weekend of March 22– 23 witnessed Beijing’s first "White Night" (白夜) at venues in and around the hip Gulou (Drum Tower) area — admittedly, one of the few places in the city where it’s possible to go from place to place on foot, some way from the multi-lane arteries that encircle the center. >> Read more

Song of the Siren explores the complex diversity of contemporary ink landscapes highlighting distinctive practices that communicate nature’s scenery via metaphor and realism. >> Read more

From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more

Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more

While the COVID-19 pandemic continued extending its reach across the globe, the month of May in Beijing, with the return of Gallery Weekend Beijing and two new museums opening, seemingly saw the Beijing art world bouncing back to a steady drum of exhibitions. Yet the emergence of new cases of COVID-19 in early June (at Xinfadi Market, Beijing) put Beijing on edge once more. >> Read more

Echoes of the transgressive works of the early 2000s resound in the ceramics practice of Liu Xi (b.1986, Zibo, Shandong). Liu’s frank exploration of gender and sexuality is courageous. >> Read more

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more

Before I catch my connecting flight back to Rome, I briefly note down my impression of Art Taipei. “It’s both very young, with the  insecurities and optimism of an adolescent, and very old, with the relaxed attitude of someone who has seen a lot and is a pinch senile”. >> Read more

Richard Koh Fine Art (RKFA - SG) is pleased to announce Wong Perng Fey’s (b. 1974) solo exhibition in Singapore. >> Read more