randian | 燃点

Singapore—Pearl Lam Galleries is pleased to present Presence of Whiteness by Zhu Jinshi, its first dual-space solo exhibition since the opening of the new gallery in Dempsey Hill. Following his recent solo at Pearl Lam Galleries Hong Kong, which featured a series of black and white paintings, Zhu Jinshi will present over 20 coloured paintings […] >> Read more

Edouard Malingue Gallery, Jakarta-based ROH Projects >> Read more

Cultural Medallion recipient Amanda Heng kicks off STPI's 15th year exhibition calendar and Singapore Art Week 2017. >> Read more

Like your average snobby Singaporean, my first thought on hearing of KL’s inaugural gallery weekend (misheard as a gallery "week") was: “Really? Are there enough galleries?” >> Read more

Singapore—Pearl Lam Galleries is pleased to present a solo exhibition of Chinese born artist Su Xiaobai (b. 1949, Wuhan, China). Su’s highly contemporary artworks combine the vocabulary of an international artistic style, cultivated during his studies in Germany, with an aesthetic and philosophical practice rooted in Chinese tradition. Self-restraint is at the core of Su […] >> Read more

Founded by Pearl Lam, Pearl Lam Galleries is a driving force within Asia's contemporary art scene. >> Read more

Mo Shang Experiment is proud to announce, in conjunction with Xiao Qi Zu, on 12th November 2016, we will be jointly introducing Singapore artist Anthony Chin's first solo exhibition . >> Read more

How did we get here? Fiac was fizzo-amazing. But not everyone gets to go to the ball, and this is where the rôle of the subsidiary art fair is so important. It can be a step up. Or it can be a step down, possibly off a cliff. >> Read more

The 'Pygmalion effect' is the phenomenon in which higher expectations lead to an increase in performance. Its inverse is the 'Golem effect', by which low expectations lead to a decrease in performance. Both effects are forms of a self-fulfilling prophecy; both observable effects at play in a world divided by the privilege of circumstance. Using these themes, Seton replaces components of antique and modern bentwood chairs with his familiar medium of marble and digitally printed plastic proxies. The result is a series of hybrids in which the mass-produced melds with the hand made. — Excerpt from exhibition essay by Chloé Wolifson >> Read more

The Singapore Art Museum (SAM) reveala a list of 62 artists and art collectives and selected artwork highlights for the Singapore Biennale 2016 >> Read more