randian | 燃点

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more

Online viewing room Chambers Fine Art is pleased to announce a new online exhibition featured exclusively on the ADAA Member Viewing Rooms entitled Guo Hongwei: Among the People. Since Things, his first exhibition at Chambers Fine Art in 2009, Guo Hongwei’s primary focus has been on painting although in The Great Metaphorist in 2014 he […] >> Read more

The affirmation of the value of individual life, and the constant affirmation of other rights on this basis, allows the boundary of "freedom" to expand, and creativity thus continuously flows, actively refreshing the cognition, and the world of experience grows accordingly. >> Read more

Kunsthalle Lissabon presents The Soft and Weak Are Companions of Life 柔弱者生之徒, the first solo show in Portugal by Hong Kong-based Zheng Bo. >> Read more

Echoes of the transgressive works of the early 2000s resound in the ceramics practice of Liu Xi (b.1986, Zibo, Shandong). Liu’s frank exploration of gender and sexuality is courageous. >> Read more

Lê Lan Anh, also known as Lananh Le, one of the most vivid young artists in the Ho Chi Minh City art scene, died on April 19. She had been suffering from depression and it seems this was exacerbated by the social restrictions introduced to control the pandemic. >> Read more

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more

I stood at the entrance to Jakarta’s Museum of Fine Arts and Ceramics one fine day, and instantly I was transported to another time in a past every born-and-bred Jakartan of a certain age would remember. >> Read more

Before I catch my connecting flight back to Rome, I briefly note down my impression of Art Taipei. “It’s both very young, with the  insecurities and optimism of an adolescent, and very old, with the relaxed attitude of someone who has seen a lot and is a pinch senile”. >> Read more

Greco Grand Palais ( 3 Avenue du Général Eisenhower, 75008 Paris) Oct 16, 2019 – Feb 10, 2020 Ran Dian: So what was it like? * Thomas Eller: It was like walking around in a book. Not an exhibition. Interesting for historians though but with some really bad paintings, but revealing. There was one master piece, which […] >> Read more