randian | 燃点

As celebrations abound for Singapore’s 50th jubilee, STPI kick starts the year with “Imprint: New Works by Suzann Victor”—a bountiful showcase of the artist’s profound creations in print methods and materials that differ from her customary use of theatrical devices, kinetic mechanisms, performance installations and object experimentations with the body, chandeliers and light. >> Read more

Abstraction is becoming the Western equivalent of the most masturbatory Literati work. Whether we call it “Zombie Formalism” (Walter Robinson) or “MFA-clever“ (Jerry Saltz), we end up bending for beige. >> Read more

A look back at art in Singapore in 2014. >> Read more

Curator Charles Merewether states, “[Li Xinping creates] elaborate scenes in which love and war seem inextricably tied to one another; >> Read more

Nov 23, 2014 – Jan 25, 2015, Shanghai Himalayas Museum Mar 13 – Apr 23, 2015, Beijing CAFA Art Museum >> Read more

In 2014, for the second time, China’s foremost state-run institution of contemporary art – Power Station of Art – hosts the Shanghai Biennale, in its converted power plant space. >> Read more

It is obvious that Hong Kong is still thriving even after 17 years of change of sovereignty. Indeed, if one zooms in on the city’s panoramic views, the everyday life between buildings is far from dead, but in the process of being Manhattanized. >> Read more

Market Forces is an annual event that is part of Osage’s non-profit initiative. >> Read more

Spring Workshop is delighted to host artist Christodoulos Panayiotou for a two-month residency program (March 25–May 17). Hong Kong’s independent artist-in-residency space Spring will also present a series of events and activities as part of Panayiotou’s residency. >> Read more

Dear Mr & Mrs Singapore: Your children, Art Stage and Biennale, have successfully completed the year and may enter the next class. Here is our report card. They are performing stronger but still have some work to do.
 
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