randian

2018.02.27 Tue, by

Jean-Michel Othoniel
Dark Matters
Prominent

Prominent on the French and international art scene, Jean-Michel Othoniel works with materials that have poetic and sensitive properties. >> Read more

2018.02.17 Sat, by

Loie Hollowell
“Switchback”
Pace Hong Kong

Pace Gallery is pleased to present the first exhibition in Asia dedicated to the New York-based artist Loie Hollowell. On view March 27 through May 31, 2018 in Central Hong Kong’s Entertainment Building, Loie Hollowell: Switchback is the artist’s second exhibition with Pace Gallery worldwide, following her debut with the gallery in Palo Alto in fall 2017. […] >> Read more

2018.02.02 Fri, by

How the Sages Came to Shanghai: Joseph Beuys and Nam June Paik

Two of the art movement’s most important advocates can now be experienced—“seen” would not be the appropriate term—at the How Art Museum in Shanghai. >> Read more

2018.01.29 Mon, by

CUI XINMING
‘Differentiation’
Edouard Malingue Gallery
Hong Kong

Swarms of ochred colour flush the canvases; figures huddle in the foreground, conversant, anonymous; spectral homes occupy the painterly surfaces. As if recalled from distant mnemonic incidents, the various elements populate ‘Differentiation’, the new series of works by Cui Xinming (b. 1985, China), presented for the first time at Edouard Malingue Gallery, Hong Kong. Marked […] >> Read more

2018.01.03 Wed, by

Zhan Chong: Moulds
Gallery Yang

The motive of this exhibition is my effort to imagine “the shapes of concepts of particles”. It was partly inspired by Ted Chiang’s novel 72 Letters. I was fascinated by the first pages of the novel, which describes a scene in which ideas are given to a clay mould by different combinations of letters on […] >> Read more

2017.12.06 Wed, by

ASPHODEL: LUKEHENG
Pearl Lam Galleries SingaporeAFTER

Singapore—Pearl Lam Galleries is pleased to present After Asphodel, >> Read more

2017.10.20 Fri, by

Kwan Sheung Chi
“Blue is the New Black”
Edouard Malingue Gallery Hong Kong

An a thousand-metre sea of blue tape stretches across the entrance to the gallery: tensely pulled at one metre or so above the ground, the viewer is invited yet challenged to step in, actively marking their entrance as opposed to passive frequentation. >> Read more

2017.10.05 Thu, by