randian | 燃点

Spring Workshop announces Ari Benjamin Meyers to bring music to arts organizations across Hong Kong >> Read more

(Hong Kong, 10 January 2017) To commemorate the beginning of an artful year, Massimo De Carlo gallery presents its first group show ‘Between Utopia and Dystopia’ at Hong Kong’s Pedder Building. It will be on display from19 January 2017 to 11 March 2017. >> Read more

Galerie Huit is delighted to present the Hong Kong solo debut exhibition ’Time lapses’ by London based artist, Nogah Engler. Engler (b.1970, Pennsylvania, US) depicts cryptic landscapes that point towards the idyll. Blushing fields and hollowed out forests seemingly emerge and recede simultaneously on the surface, evoking an evaporating mist. In real time, each painting […] >> Read more

Two years later, ART021 had outgrown its home on the Bund and moved...to the Shanghai Exhibition Centre (ha!)...Chris Moore reviews ART021 2016. >> Read more

After Frieze and FIAC, Artissima is the last European art fair in the autumn frenzy of art fairs. It is also a vibrant art fair in a beautiful setting in the capital of the Piedmont province. The fair’s date in autumn is well chosen: autumn is colorful and atmospheric in Piedmont, and, of course, it […] >> Read more

Singapore—Pearl Lam Galleries is pleased to present a solo exhibition of Chinese born artist Su Xiaobai >> Read more

I intend to speak of forms changed into new entities —Ovid, Metamorphoses >> Read more

How did we get here? Fiac was fizzo-amazing. But not everyone gets to go to the ball, and this is where the rôle of the subsidiary art fair is so important. It can be a step up. Or it can be a step down, possibly off a cliff. >> Read more

Amid a very tense atmosphere in Paris, Chris Moore reviews its prime art fair, FIAC. >> Read more

In the new body of paintings by Mairead O’hEocha, Blackbirds in the Garden of Prisms2, or as Wallace Stevens determined, suggesting a contribution to something greater than its singular self >> Read more